I think of musical equipment as equipment that has lots of textures, and gear that gets the midrange right. Some equipment evokes and conveys emotion much better than others. Some guys like components that give you every bit of detail, but many times, especially at lower price points, a manufacturer makes a choice between detail or texture. Some pieces are very detailed, but the sound is bright and lifeless. Other equipment may give you less bass, andmay compromise on the top end, but it will capture the "soul" of the music. Of course, we are all constantly searching for those products that gives us both, but we all have different tastes. I think of it in the same way some people define pornography. "I'm not sure I can define it, but I know it when I see it. (or hear it)
Musical Amps
This question might sound strange but what characteristics does an amp SS/Tube have to have to be considered "musical". I ask this question form reading the many posts through out the 'gon.
From the posts that I've read most members think very highly of Plinius Amps/Intergrated Amps. Now I know this sounds childish but why. Some don't consider Bryston amps to be very musical and yet PMC is parterned with them again why.
My current system is very simple:
Paradigm Studio 60
JoLIda 100 level-2 mod
Nad T762.
Many Thanks
From the posts that I've read most members think very highly of Plinius Amps/Intergrated Amps. Now I know this sounds childish but why. Some don't consider Bryston amps to be very musical and yet PMC is parterned with them again why.
My current system is very simple:
Paradigm Studio 60
JoLIda 100 level-2 mod
Nad T762.
Many Thanks
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