Music Servers VS Excellent Transports?


Well here you go people? A question for my upgrade.
Should I go with an Excellent transport or a good Music server with a digital out. Sophisticated transport VS NO MOVING PARTS?

Considering the Opus Music Server or any of similar calibre.
My ripping and transfer skills are good so its going to be Lossless files with pretty much no compression of data right into my favourite DAC. All are welcome for this topic.
Please do stay withing the realm of the question, appreciate it :) Merry Christmas and happy holidays
rapogee
If you are doing vinyl in preference to CDs, and that is what you like to listen to, keep doing it. No one is trying to convert you.

If you are doing CDs, many of us have found that a PC transport with a DAC is a better way:

1) cost of entry is lower for the same or superior results. You have to spend thousands on traditional gear to better these results

2) ease of use is huge

3) tremendous flexibility
Davemitchell, thanks for the review of the Olive.

Have you heard DSD copies of vinyl? I'm making 1-bit 5.6MHz copies of my D2D vinyl with incredible results. You can't tell the digital from the vinyl. It's easier to identify cable swaps (which you can do with 5.6MHz) than it is to pick the vinyl in an A-B. I think that I can make a great DVD-A copy for "everyday" use.

Ultimately, given the low cost of HD storage, I'd like to load all my CDs and higher rez media into a server/transporter. Of course, the server will need to be truly hi rez and I don't think anyone is there yet. We'll see what comes out of CES.

Dave
Dcstep - I have an Olive Opus 5 here. I've added a clock input so that it can be used with my reclocker and a good DAC. The build quality is good, mostly thick aluminum. The backpanel is actually more attractive than the front. There is a LOT of writing all over the top - a bit tacky. It works well, but they should have used a color LCD on the front. Difficult for me to read the B&W LCD from the listening position. If you want push-button ripping, this is the box. It takes about 1 minute to boot, and like a computer you dont want to just jerk the power to it. Seems to rip relatively fast, probably 5X. It must power down gracefully, which takes about 15 seconds. One thing that bugs me is that it powers off when the last track is played. "Green" I guess.

Steve N.
Davemitchell - I agree about SACD. There is something "overblown" about the sound. Ultradynamic. Difficult to get a "live" synphony to sound live. I have heard CD tracks sound much better.

Steve N.
Dcstep - dont forget THE Show at the Alexis Park and St. Tropez. Lots of good sounds from high-end exhibitors there, no elevators, free lunch, free entertainment, and most exhibits on the first floors. Shuttles from the Convention Center and next to the Venetian run 24 hours.

Steve N.
Steve, that is interesting to consider. I can fly Denver-Vegas-Denver really easily and conceivably make it a day-trip if I leave early enough. I may do that. Thanks for mentioning it.

THE Show is open to the public, for a price, right?

Dave
Dcstep - no, like CES, THE Show is really for dealers and press. However, if you email me, I can still get you a badge for THE Show under my company name. No problem.

Steve N.
Dcstep,

Doing high res vinyl copies is very interesting. I have not heard any, but I can imagine that very good results are possible. I'm amazed at the sound I get on CD copies of vinyl using a meridian A/D converter.

Now I see what you are trying to do and it makes perfect sense.
Thanks for the offer Steve. I'll do some investigation and get back to you if I can make it work.

DaveM, if you can get your hands on a Korg MR1000 HD recorder it'll give you some idea of the amazing potential. Straight out of the box this consumer recorder will make stunning AD recordings from either line or mics at whatever digital standard you choose, up to 5.6MHz DSD. Ric Schultz is doing some mods to quieten the inputs and outputs and add some shielding to take it to another level. Not bad for a $1200 machine.

Dave