Moving coil cartridge


hello all,

It has been on my mind for the past 3 years. " I wonder if I should try out a moving coil cartridge" Well it seems that this itching is driving me crazy to the point of OCD'ing 24/7. I own a modest set up, nothing too fancy, a Marantz-Clear Audio TT15SE equipped with the wooden Virtuoso MM cartridge. I have to admit I love the rich and warmness that the Virtuoso provides and have other MM's such as the Orofon 2M black but prefer the Virtuoso because of the aforementioned attributes and its almost silent like operation. I digress, I must quench my thirst and put the MC debate to rest once and for all.

A local dealer in my area seems to like the Dynavector brand. They range from $650.00 to over 5K. I of course cannot afford much above $1,500 so I figured the new 20x2 HL and 17D3 would be a good starting point. One, does anyone know if this a good fit for the TT15SE? I ask this because the Ortofon 2M black which sounds great on my old Ariston rig, sounds very average on the Marantz. Two, of the 2 Dynavectors mentioned, the 17D3 being the more expensive units, would I be better of trying the lower end 20x2 unit first? From what I have read the 2 have totally different sonics and soundstage characteristics so i am not sure if the more expensive unit (ie 17D3) would be the right choice.
Any other suggestions for MC cartridges?
All feedback would be aprreciated.

Thanks
vinylmad814

Showing 3 responses by dconsmack

Get the Dynavector 17D3. It's the only MC I know of that doesn't have that lame "audiophile" treble boost. It's sounds grey compared to a lot of other moving coils, but that's because it's accurate. I highly highly recommend using the Stevenson geometry alignment and setting it at 2.1g VTF with equal anti-skate. It's a great cart for tracking and a true representation on what's in the grooves. I've been at this a long time now and a non neutral cart is the culprit of getting consistently good sound from your phono set up. If you like colored sound, do it with your amps and speakers. Otherwise, a colored cart will make some records sound amazing, and some like dog sh1t. Most MC have exaggerated treble; I'm talking up to +7dB after 10kHz. But, ignore all this if you like "detail"'and "air" over what the mastering engineer heard when cutting the record. :-)
The Dynavector 17D3's bass response tests dead flat in a frequency sweep test from 1,000Hz-20Hz on the Ultimate Analogue Test LP through an EAR 324 phono stage (loaded at the 40 ohm internal step up transformer) through an Apogee Duet A/D converter.
Does better bass mean more bass? I had a similar experience with the 17D3, thinking it was a touch lean in the bass. But my other cartridges tested a touch hotter in the bass (+1dB) when tested. That was enough to matter. Also, the 17D3 does sound tad bright when brand new. I almost returned mine, but after playing a few dozen records, it relaxed. And, it tracks amazingly. It's so fast on sibilant sounds due to the short cantilever. Really difficult grooves to track like a synthesizer's square wave are tracked accurately (I compared the waveform of a needle drop to the waveform to the CD of the same recording and the wave looked virtually identical. A needle drop with another cart that has a typical length cantilever "smeared" through the square wave). The 17D3 is the quietest cartridge I've ever used too, which is odd since it's output is so low. Mine is loaded through the 40Ω built-in step up transformer in the EAR 324 phono stage. No hum/noise at all.