Morch DP6 and vertical damping - pros & cons??


I am setting up my tonearm, a Morch DP6. The instructions that come with it tell you how to add the included silicone fluid for vertical damping (at the pivot point) but also mention that this might not be a good thing to do (can't remember the exact wording.) The instructions do not say why you might not want to add the fluid to the pivot point. Can anyone tell me why or why not the vertical damping should be used? Does it effect the sonics in a possibly negative way, or....? I will be using the arm on a Teres 160 turntable with the basic ZYX cartridge, R100H.

Once the fluid is in there, it looks as if it would be nearly impossible to remove, so I would like to make an informed decision about whether or not I should use it.

Thanks,

Holly
oakiris

Showing 1 response by sirspeedy70680e509

Hey,Larry!Nice to see a post from you.You have always come across,to me,as a likeable guy.Just wanted to let you know,I am FINALLY getting my COSMOS back this Tuesday.Added a Symposium Ultra Shelf,as a gift for my table.Whew,I've got a ton of interesting lp finds to explore.Hope all is OK with you.

PS. My pal YODA,shockingly,has decided to replace his Air Tangent,with the new 12.6 VPI arm.Also,he's getting a new VPI TNT 6 hot rod.He claims that the maintenance of the Air Tangent is becoming too much to deal with,as he is now getting a bit long in the tooth,and losing patience with the fotzing around necessary for cleaning out desecant from mechanisms involved.The pump is also getting noisy,and new desecant(whatever that is)costs 200 bucks.

I hope to God he does not lose the MAJESTIC ambience afforded by the air bearing,but understand the ergonomic decision made.I'm going over to his "Record Collection"(I'd say house,but,it IS literally just one HUGE record collection,behind closed walls)a week or 2 after installation.We'll see if new designs can compete with such a "Classic"!!