MONO Cartridge Stylus Shape: WHAT? WHEN?


Some want 'best'.

My approach is not 'best' but to get the true advantages of playing Mono LP's with a Mono Cartridge. So far it's going well

I started with a Grado MI Elliptical Mono, currently using for Mono Jazz, early and late 50's., some earlier 40's.

Then, why not: I had VAS put boron/advanced stylus shape on an AT-33 MC Mono Body for alternate 'advanced stylus' mono. Haven't used it yet.

I see some Spherical Mono Cartridges for sale, including some for a lot of $.

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How do we know which era of Mono LP's grooves and which Stylus Shape is 'best' for them?????

IOW, an advanced stylus shape is just 'wrong' for this era of mono groove shape?

Is elliptical ok (just not best) for LP's where Spherical is 'proper'?

How much of a compromise is using Elliptical for all Mono LP's for instance?

thanks in advance as always for your contributions, Elliott

elliottbnewcombjr

Showing 1 response by mijostyn

There is little if any difference in tracking requirements. 16 kHz at 33.3 RPM is exactly the same be it in mono or stereo. The best styluses are long contact area fine line like the microridge styluses, the Replicant 100 and the Gyger S. They have the best high frequency tracing and are also much quieter. The very expensive Mono cartridges use the same stylus as the stereo versions. 

For 78 RPM records it is a much different story. The groove is much wide and Shellac is softer and more fragile than PVC. Large conical styluses are the rule and companies like Ortofon make a 78 specific cartridge.