Not a specific recommendation, but an idea for an approach.
Given the amps you're using, there are both power limitations and an implied philosphy. SETs are usually the domain of minimalist signal path types, so I'm making the assumption that you qualify as such. Apologies in advance if that assumption has been made in error.
Anyway, one way to satisy both constraints while maximizing performance is to find a monitor with little to no bass response below 100hz and run them full range with the Manleys. This will keep the 300Bs working in their sweet spot and isolate them from the deep bass without any new devices (i.e. an active crossover) in the main signal path.
Add a pair of good, sealed subs from JL, SVS, Rythmik, or similar. Also get a good sub-controller that allows digital room correction of the subs. You'll likely end up crossing over somewhere around 100hz where the mains run out of steam. The pair of subs will allow for the high crossover without impacting the stereo image.
The DRC will allow you to "fix" many of the room effects where they are really audible - from 50hz to 120hz IME. The controller (I use a Velodyne SMS-1) will also allow very precise level matching and optimization of phase and x-over frequency to aid seamless integration.
Just one way to skin this particular cat.
Marty
I use the
Given the amps you're using, there are both power limitations and an implied philosphy. SETs are usually the domain of minimalist signal path types, so I'm making the assumption that you qualify as such. Apologies in advance if that assumption has been made in error.
Anyway, one way to satisy both constraints while maximizing performance is to find a monitor with little to no bass response below 100hz and run them full range with the Manleys. This will keep the 300Bs working in their sweet spot and isolate them from the deep bass without any new devices (i.e. an active crossover) in the main signal path.
Add a pair of good, sealed subs from JL, SVS, Rythmik, or similar. Also get a good sub-controller that allows digital room correction of the subs. You'll likely end up crossing over somewhere around 100hz where the mains run out of steam. The pair of subs will allow for the high crossover without impacting the stereo image.
The DRC will allow you to "fix" many of the room effects where they are really audible - from 50hz to 120hz IME. The controller (I use a Velodyne SMS-1) will also allow very precise level matching and optimization of phase and x-over frequency to aid seamless integration.
Just one way to skin this particular cat.
Marty
I use the