Mola Mola Tambaqui Roon vs Separate Streamers


I'm currently using my Mola Mola Tambaqui with Roon streaming Tidal.

Has anyone added a separate streamer such as the Auralic Aries G2/2.1 or the Lumin U1?  If so, was differences did you hear with the streamer addition?  Is it worthwhile?  

I'd love to hear feedback from other Tambaqui owners.

Thanks!

calgarian5355

Showing 5 responses by davetheoilguy

I currently have a neglected digital side.  I have a Lumin U1X streamer I like very much and (I think) is pretty comparable to other streamers.  I use the DAC on my Esoteric K-03XD (a really nice TEAC transport).  The DAC is nice, equal to most all the other Esoteric stand alone DACs, but I'd like to step it up.

Debating between the Tambaqui and the dCS Vivaldi Apex.

Does anyone know if the Lumin U1X would be acceptable with the Tambaqui?

@oczed 

Thank you.  I’m kind of doing the reverse search — finding the DAC that will match of with my Lumin U1x.  I have Tidal and everything all set there and don’t feel like reinventing my playlists outside of the Lumin software.

i wonder if the dcs Vivaldi apex would be a better choice.

 

what specifically about the Lumin U1x/Tabaqui combo was not ideal?  I understand both to be on the analytical side.  I’m actually OK with this bc my preamp is Nagra HD pre which is extremely precise and fast but also warm. 

@blisshifi 

Lumin has a slightly more detailed/analytical sound, so you should be looking potentially at more harmonically rich DACs. I am an authorized T+A dealer, so take this with a grain of salt, but if you’re looking at the DCS Vivaldi Apex, one unit to consider is the T+A PSD 3100 HV.

Thank you for the post.  I looked pretty hard at the T+A SD 3100 HV, but never tried it, due to not knowing where to find one to listen to.  (Or, more accurately, not being able to figure out how to get to a place to go listen to one.)  So I may need to hunt you down.  I'm not in a hurry, as the Esoteric DAC is not offensive, at all.  Is that also a good choice among the TA line?

When you say "more harmonically rich DAC", what do you think (and I know I'm asking about a competitor) about the Nagra HD DAC X?  I am just flat in love with my Nagra HD pre, and the scant reviews of the Nagra DACX are good, but there is little technical information about the DAC itself.  It looks like an exceptionally fantastic power supply and "analog side", but the actual DAC looks to be a pretty off-the-shelf (albeit very nicely done) FPGA, just based on how little anyone talks about it.

@yyzsantabarbara 

Nagra DACs get PlayBack Designs digital boards. They also do not get the best PBD boards. Those are saved for the cheaper PBD DACs (relative to Nagra). I

That wouldn’t surprise me at all.  Although, looking at the specs (on a phone), I think (“think” being the key word here, not “know”) this refers to the old Nagra DAC, not the DAC X.  The DAC X has a FPGA of unknown origin, spec’d and programmed to Nagra’s design.  That could be PBD, but it doesn’t look to be on the surface.

still the FPGA is not how you’d think they would design a world class DAC, which is both of our’s ultimate point.
 

what is surprising is the Nagra IS world class and sounds awesome and is consistently ranked in the top contenders of DACS in pretty well thought out shoot outs by very disparate reviewers and sophisticated users.  The top several are almost always (in no particular order) :   An MBS; one of the top dCS (Bartok or Vivaldi), the Mola Tambqui (which comes in at a fraction of the price of the others), the Nagra HD DAC X, and then the fifth spot more variable.

missing from the “top” lists I note are some of the most expensive, such as WaDax Reference or Atlantis.  So it’s not just a price list.

And the Nagra gets its sound from the expensive components:  32 (or something) independent power supplies, true dual mono set up, literal hand made custom transformers, etc thst take the fragile converted analog signal and pass it on.

All while using spectacularly implemented, very nice, but otherwise unremarkable digital conversion.

While the others use exceptional and novel digital conversion (eg especially the Tambaqui) to get similar results.

If Nagra could license the Tambaqui (or similar) tech, stick two of these superior digital front ends into its dual mono design and stunning analog side, it would have something that is the unquestionable market crusher.

But alas.

@yyzsantabarbara 

Very interesting history.  I use FPGA chips (maybe even the same chips; that's how flexible they are) in certain industrial applications related to the oil field. They are great for small scale production because you can use the same chip lots of different ways and (as the "field" part says) alter them for bugs on the fly even after deployment.  Very useful for prototypes, too.  This is why a lot of high end audio people use them -- there are just not that many units being sold, so a custom-designed chip is not practical.

The problem with them, however, is they are general purpose.  It's like a a really good adjustable crescent wrench. It's excellent and can be used for whatever, but just isn't as good as a wrench or ratchet just for that particular bolt.

I'm not joking that I probably use the same exact chipset in a giant rotary directional drill that is used in a nuclear missile, the Nagra HD DAC X, a Lamborghini, and your favorite bespoke DAC.

They are also energy hogs, hot, and (with some exceptions) very electronically noisy.  All that can be compensated for, but can poise problems on implementation, especially in audio equipment.

Anyway, long way of saying, all things being equal, I'd take a custom chipset over a FPGA set, any day -- assuming I have a chip set that fits my bolt, so to speak (which is a giant assumption, as that may not be practical when you make 100 units of something).