2. analog
  3. 1431994308

Miyajima MADAKE experience

I've noticed that many (if not all) Kansui users tryin' to sell their Miyajima Kansui to upgrade to new released Madake of the higher price. I have zero experience with Kansui or Madake, but i have checked all the rave reviews (there are not so many btw) and spoken to several distributors in Eupore and USA. Seems like Kansui is great even with aluminum cantilever and shibata stylus. Everybody talking about organic sound and musicality of Miyajima top of the line cartridges.

BAMBOO CANTILEVER of the MADAKE is def. exotic solution along with Miyajima-san's CROSS COIL / CROSS RING method.

Appart from the distributors and reviewers it's always important to ask real users (who paid full price) about their Madake experience.

I wonder how this cartridge perform against top of the line modern hi-end cartridges such as ZYX, Benz, Dynavector ... you name it.

Anyone who didn't like it and why ?

128x128chakster

Showing 1 response by mhr1229

mhr1229
1 posts
 
Latecomer to this post...

I own the Miyajima Madake and use it on an SME V arm. It replaced a Clearaudio Stradivari on which I broke the cantilever and then used as a trade in.

The Stradivari was a good high resolving cart but I never loved it. It could at times be a bit sharp. I borrowed a Koetsu Black from a friend and while that was all smooth I did, after an initial period of total infatuation, long for some treble extension.

With the Madake I get firm bass, good speed and detail resolution and smooth but extended treble. What more could I ask for?

My other favourite cartridge is the Cartridgeman MusicMaster, which is similar to the Madake in presentation but somewhat weaker in the bass and hence not as "muscular" in its presentation (the "budget" option).

I’m happy now, my quest for the perfect cartridge is over.

But then again, a London Decca for my Garrard 401 project could be fun...

More to discover