Mid life audio crisis


Hi,

As the title says I seem to be going through a mid-life audio crisis and I would like some advice.

Here goes: In recent years I have upgraded, changed and tweaked my system until I have arrived at the following:

* Audio Aero Capitole CDP;
* Joule Electra LA 150MkII preamp;
* Dave Berning ZH-270 amp;
* Merlin VSM speakers;
* Cardas Gold Ref speaker cable & interconnects.

As you will see I have spent quite a few $$$$s on this system and I've been considering changing my ZH-270 for a pair of valve mono blocks over the last few months to help me get some more bottom end slam from my speakers.

Recently I bought a Steve Nugent modified Benchmark DAC1 and started to play digital music from my Mac. I was amazed at the sound quality from this combination and I considered selling my CDP. I have not sold my CDP yet but I suspect it will be only matter of time, as I think the modified DAC1 is better than my CDP and I have burned all my CDs to hard disk and use this more than my CDP.

I have never really got on that well with my Merlin speakers. Now please don't shoot me for saying this, all you Merlin fans, but they don't quite have the 'grunt' and energy that I like, perhaps they are true audiophile and too refined. I love transparency and sounstage, which they do well, but I also love bottom end slam that they don't do that well in my view.

The performance of the DAC1 has started me thinking and looking at 'pro' audio/studio gear and a week ago I got to listen to a tiny pear of active PMC AML1 speakers, that are powered by Byrston amps. This was fed by a Larvy DAC/Mac and nothing else but XLR cables - a real simple system that sounded amazing, but just lacked some bottom end slam, but had lots of transparency!

PMC recommend a sub with their AML1 speakers and I have worked out I could have my DAC1 > Bryston crossover to sort out the sub and active monitors. A really simple system that will probably halt me upgrading.

So what do I do? Keep my current system or go the active monitor + sub and DAC fed by a Mac.

Any thoughts?

Thanks,

Monty
montywoo

Showing 6 responses by shadorne

This was fed by a Larvy DAC/Mac and nothing else but XLR cables - a real simple system that sounded amazing, but just lacked some bottom end slam, but had lots of transparency!

If you like dynamics and energy then active is a good way to go. You may get used to tight pro sound bass - it takes a while - initially you think the bass is not there compared to usual fare - until you realize that instead of heavy bass on every track you sometimes get it and sometimes don't - all depends on the mix.

One thing I can say for high energy dynamic sound is that it is really exhilarating - every time you listen - the effect does not wear off. Basically modest volume nice sounding systems are everywhere - in your luxury cars, most headphones, even cheap audioengine PC speakers sound pretty good these days - however speakers that really rock and turn a home listening session into a "live performance" are in a whole other league. It will put "fun" back into your listening sessions.

The kicker or downside is that if you like this "grunt" high energy sound it is going to cost you a fair bit for a decent sub - cause you will need a really good sub to keep up. Think JL F113 or SVS PB12 or HSU VTF-3 Mk II - check the HT Shack Subwoofer tests to see how they rate subs - get something with high output, low distortion and low group delay and obviously something you like the sound of with your choice of speakers. You may also find room modes more of an issue if you get the bass really clean and extremely powerful - think bass trapping may be needed.

As far as the mid life crisis - perhaps you might also check out your local Harley-Davidson dealer?h for you.
Given the TL design of the PMC's it may be wise to stick with their sub. The PMC AML1 are tuned at 5.5 feet TL length which does not match the subwoofer at 9 feet TL length. I am not sure what that does to the phase when you combine two. (bass extension enhanced speakers are generally a bit harder to combine with a sub) Since they are active it is possible that they simply compensate electronically for phase to get a perfect seamless match. Ask your dealer - PMC have an outstanding reputation.
Oh - and just one thing - pro-speakers are often viewed as "harsh sounding" and "non-musical" or simply analytical or worse as "PA sound" by many audiophiles.. Certainly with modern pop recordings (many are terribly compressed) these type speakers will make you suffer at high volumes with such ugly source material - so there is a valid reason for wanting a speaker with the usual BBC-Dip - being the ticket to a generally more consistently pleasant sound. However, I would say PMC's are not as forward sounding as some pro designs - so if you are worried about longterm listening enjoyment in making the move from audiophile to pro then PMC is probably a good choice.
Congratulations - since it is plenty loud enough for your room then you can blame the source music if you don't like the sound - the speakers are just playing the music as nearly transparently as is possible with today's technology.
PMC hits you hard and fast and makes you sit up and listen

Dynamics will do that. It will also bring out detail as contrast is essential to your hearing ability (due to the well known masking effect).

Try Weekend in LA George Benson "On Broadway" or Tower of Power Soul Vaccination "What is Hip" live. These two recordings sound so much like a real live performance you may be scratching your head.
Congrats Monty! Good to hear that you survived the crisis and are doing fine!