mcintosh preamp for 5.1


apologies in advance for not thoroughly searching this topic but here’s my question. i’m in the market for a mac preamp that i will be using strictly for 5.1 (i have a dedicated two channel stereo that consists of either a c28 or a ma6200 paired with two 2100s in mono powering my klipsch klf 10s with crites crossovers) so now that’s out of the way back to my original question...i’ve recently been looking at mcintosh preamps for my ht setup and i’m not into all the latest and greatest surround formats as i know that’s an ever changing thing as time goes on. just interested in a good quality sounding 5.1 setup through a mac. as for speakers i’m running all old klipsch kg series that are more then likely inadequate for my venture as well but that can be remedied later on down the road. looking for input from you all what would be a good direction to go. i’m considering the following; mx119, mx132, and possibly both the 134 and 135. please correct me if i’m wrong in the idea of using any of them for a dedicated ht preamp. i am unsure of what amp i would be running along with the preamp as well. any help and recommendations will be greatly appreciated. 

sorry for for a complete and unorganized ramble
bradleyh21

Showing 1 response by auxinput

As to caphill's point, the McIntosh HT multi-channel processors are not in the same league as their dedicated 2-channel tube preamp equipment.  All the Mac processors are very nice in keeping that "Mac style" of sonic signature, but they are compromised due to the fact that the audio stages are all op-amp based.  McIntosh attempts to keep their "laid back" type of sound, but have to use op amps due to size, cost and multi-channel requirements.  While the McIntosh HT processors are very nice, there are definitely many options that have better resolution, attack and detail.

I'm not sure that all of the processors that caphill suggested are better.  Maybe they are different, depending on what you're looking for.  The Classe SSP-800 is incredibly detailed and transparent.  Bryston SP3 is actually laid back in the mids/highs, but has massive bass response.  The Krell 707/S1200 are awesome because of their discrete Class A analog stages, but I think they can come across a little thin/bright because it's my opinion the power supply capacitance is undersized.  Datasat has massive amounts of DSP and computing power, but not sure that their analog stages are any better.  Etc. Etc.