The 402 just barely makes it for the 802d if you like your sound loud. In auditioning the 402 with the 802d the power guard came on a couple of times on orchestral pieces. Of course this was a the limit of what the 802d would put out - about 110 spl at about 6 ft on the peaks. Still - for this reason I would recommend going to the 501 monoblocks.
