Hi Petequad,
Thanks for taking the time to play twenty questions!
Okay, it looks to me like your highest loudspeaker priorities are (more or less in order): Clarity and nuance; presentation reminiscent of a good jazz club; freedom from boxiness & colorations; naturalness of timbre; non-fatiguing; wide sweet spot; and forgiving.
The Newform Research R645's come to mind. They do most of the things you place a high priority on, but are not the most forgiving speaker out there. Usually some tweaking and modification is required, but there's an extensive network of R645 owners out there.
The Oskar Heil Kithara also comes to mind. Great clarity and presence, very open, but a little bit "wooley" and boxy in the bass. The lower priced Aulos isn't in the same league, nor (I presume) is the Syrinx.
The Sound Lab Dynastat (which I sell) is pushing it price-wise, but is an easy speaker to drive for an electrostat (reducing the hidden amplifier cost). Nice wide sweet spot (on recent models) with excellent clarity, but a bit more laid-back presentation than what I associate with jazz clubs. Earlier models didn't have as wide a sweet spot. The woofer box is the weak link, but fortunately the crossover frequency is fairly low.
Finally, the Maggie 3.6 is an exceptionally non-fatiguing speaker with very low coloration and a forgiving voicing. Not as wide a sweet spot as the others, very demanding of associated amplification, a bit on the laid-back side, and doesn't really come to life at low volume levels. But that total freedom from boxiness sure is addictive.
In looking back over this list, I realize that with the exception of the Newforms, these are going to be above your initial budget if you buy them new. And unfortunately I couldn't come up with any speaker that that "does it all". I think the Dynastat and Kithara have the best clarity and nuance as well as the widest sweet spot but the Kithara's tonal balance is less distance-dependent; the Newform has the most lively jazz-club-like presentation (but the Kithara is pretty close); the Maggie 3.6 has the lowest coloration and is the most forgiving; and I'd have a hard time picking the most natural timbre between the Maggie, Dynastat, and Kithara.
Best of luck to you,
Duke
Thanks for taking the time to play twenty questions!
Okay, it looks to me like your highest loudspeaker priorities are (more or less in order): Clarity and nuance; presentation reminiscent of a good jazz club; freedom from boxiness & colorations; naturalness of timbre; non-fatiguing; wide sweet spot; and forgiving.
The Newform Research R645's come to mind. They do most of the things you place a high priority on, but are not the most forgiving speaker out there. Usually some tweaking and modification is required, but there's an extensive network of R645 owners out there.
The Oskar Heil Kithara also comes to mind. Great clarity and presence, very open, but a little bit "wooley" and boxy in the bass. The lower priced Aulos isn't in the same league, nor (I presume) is the Syrinx.
The Sound Lab Dynastat (which I sell) is pushing it price-wise, but is an easy speaker to drive for an electrostat (reducing the hidden amplifier cost). Nice wide sweet spot (on recent models) with excellent clarity, but a bit more laid-back presentation than what I associate with jazz clubs. Earlier models didn't have as wide a sweet spot. The woofer box is the weak link, but fortunately the crossover frequency is fairly low.
Finally, the Maggie 3.6 is an exceptionally non-fatiguing speaker with very low coloration and a forgiving voicing. Not as wide a sweet spot as the others, very demanding of associated amplification, a bit on the laid-back side, and doesn't really come to life at low volume levels. But that total freedom from boxiness sure is addictive.
In looking back over this list, I realize that with the exception of the Newforms, these are going to be above your initial budget if you buy them new. And unfortunately I couldn't come up with any speaker that that "does it all". I think the Dynastat and Kithara have the best clarity and nuance as well as the widest sweet spot but the Kithara's tonal balance is less distance-dependent; the Newform has the most lively jazz-club-like presentation (but the Kithara is pretty close); the Maggie 3.6 has the lowest coloration and is the most forgiving; and I'd have a hard time picking the most natural timbre between the Maggie, Dynastat, and Kithara.
Best of luck to you,
Duke