You are MUCH better off using the ML option, because every resistor type has it’s own sonic signature. I have tested extensively in my own phono stage, and the results range from sublime to unlistenable. The worst was the most expensive resistor and the 2nd best was the cheapest.
The clear winner, to my ears and with my system (ESLs, custom SS class A electronics, air bearings, Koetsu) was nude Vishay. Costs less than $50 the pair, and it makes the biggest difference in the system, at least as much as your ML phono section. Does ML still use aerospace MAT series transistors from Analog Devices for small signals? I use complementary MAT’s and nude Vishays wherever I can from phono to power amps.
I use a loading of 500 ohms for the Koetsu for most material, but more if it’s organ and less if the cartridge is cold. Why not get a few pairs, say 100, 500, 2K5, 10K and test? It’s the best use of money you can make - but beware, the nudes are FRAGILE.
Do let us know what works for you and that lovely new Hyperion.
All of this IMO. YMMV.
The clear winner, to my ears and with my system (ESLs, custom SS class A electronics, air bearings, Koetsu) was nude Vishay. Costs less than $50 the pair, and it makes the biggest difference in the system, at least as much as your ML phono section. Does ML still use aerospace MAT series transistors from Analog Devices for small signals? I use complementary MAT’s and nude Vishays wherever I can from phono to power amps.
I use a loading of 500 ohms for the Koetsu for most material, but more if it’s organ and less if the cartridge is cold. Why not get a few pairs, say 100, 500, 2K5, 10K and test? It’s the best use of money you can make - but beware, the nudes are FRAGILE.
Do let us know what works for you and that lovely new Hyperion.
All of this IMO. YMMV.