I've tried quite a few between my 37 and 36. The Cardas was very good, a little bit laid back. The Orchid was a little to bright, fast but not musical on this system. The best cable I found was the Audioquest Falcon. It's no longer made. They do have a new AES/EBU, but I haven't tried it. If you can find a Falcon used--that's what I would go with (although I don't know very much about your DAC).
Mark Levinson 37 to Chord DAC 64
Hello out there:
I just up-graded my digital front end to a ML 37 transport. In reading through the manual that came with the transport, I noticed that the XLR connections are rated for 110-ohms and the RCA are 75-ohms. Are all balanced connections 110-ohms, or do I need to be carefull regarding the interconnect maker/brand?
BTW, the ML and the Chord DAC are providing detail and clarity that I have never experienced before. They are currently connected by an Analysis Plus digital IC with locking a RCA on the DAC end and a "regular" RCA on the transport. I tried the Optical connection that came with the DAC, but my ears prefer the AP IC.
The rest of the system is; Talon Audio Khite monitors, Rega P-25 and FONO line stage, Dynavector 17-D cart., and LFD Mistral SE Integrated Amp.
Best regards, Dave.
I just up-graded my digital front end to a ML 37 transport. In reading through the manual that came with the transport, I noticed that the XLR connections are rated for 110-ohms and the RCA are 75-ohms. Are all balanced connections 110-ohms, or do I need to be carefull regarding the interconnect maker/brand?
BTW, the ML and the Chord DAC are providing detail and clarity that I have never experienced before. They are currently connected by an Analysis Plus digital IC with locking a RCA on the DAC end and a "regular" RCA on the transport. I tried the Optical connection that came with the DAC, but my ears prefer the AP IC.
The rest of the system is; Talon Audio Khite monitors, Rega P-25 and FONO line stage, Dynavector 17-D cart., and LFD Mistral SE Integrated Amp.
Best regards, Dave.