Lyra Kleos vs Koetsu Urushi

I have owned the Kleos and used w/ the CAT Renaissance Pre......
mostly w/ a VPI Classic 3 TT.  I like many other VPI owners
did not find the Kleos to be a good match and I think in my case,
the CAT didn't like it either.......

I have no experience w/ the Koetsu, but currently am running a Transfiguration Proteus on a VPI HRX and it is everything the Kleos
was not, and I've also heard the similarly priced Axia from Transfig
and it also is a great match........but with both, I would use a
great SUT with the CAT, which will also quiet it down......I use a Hashmito HM7 based transformer from Traditions Audio, which is around 12-1400

Thanks


Eric

Totally disagree......

The reason the Kleos doesn't match well with VPI tables is because both exhibit a leaning toward dark.........It's not a VPI thing, it's true of most suspension-less high mass turntables......

To say it's one's components FAULT or the other is ridiculous, it's a matter of synergy and that is true of all components.......so we have a tube preamp that is not a great match for a certain solid state amp of another brand......do we then say "Well it must be the amps fault, because that preamp was designed to work perfectly WITH ANY AMP"   LOL

Do we try a pair of cables on a pair of loudspeakers, and we find less than a great musical match, so we then try to figure out which component is at fault????

Hint: Neither of them are at fault......

It's a matter of a series of synergistic matches among components in a system......and that is why most audiophiles at the very high end swap out dozens of components before settling on an end game......

I've heard the Kleos sound great on an Oracle turntable.....I've heard it sound very dark on a VPI table.....so what?????   

I've heard transig and ortofon sound great on VPI.........don't know about Koetsu.....

It's all about synergistic matching.....not about finding blame......with components that were never designed with each other in mind......