Looking for a Speaker in the $15,000 Range


Category: Speakers

MY SYSTEM CURRENTLY CONSISTS OF QUAD 988'S, THOR AUDIO
TP-60'S, THOR AUDIO TA-2000 PREAMPLIFIER WITH PHONE STAGE
AND A CARY 306/200 CD TRANSPORT/PLAYER. I AM VERY HAPPY WITH
THE SYSTEM BUT MY QAUDS LACK BASS AND DO NOT CREATE ANY SENSE THAT 80-100 PEOPLE MAY BE ON STATE AT ONCE, AS IN A LARGE ORCHESTRA. DOESN'T CREATE A LARGE SOUNDSTAGE. PERHAPS,
ANOTHER SPEAKER WOULD HELP? MY POTENTIALS ARE:

1. VANDERSTEEN 5A
2. WILSON WATT PUPPY 7
3. AVALON EIDELON
4. VERITY PARSIFAL ENCORE

HAS ANYBODY HEARD ANY OF THE ABOVE 4?. MY THOR POWER AMP
PUT OUT 60 WATTS OF ULTRLINEAR POWER PER MONBLOCK AND
REALLY CAN DRIVE MOST SPEAKERS WITH GREAT EASE. I AM WONDERING IF THERE IS A SPEAKER SYSTEM THAT WOULD HAVE THE
MAGNIFICENT CLARITY OF THE QAUD 988 MIDRANGE, WITH A
LARGER SOUNDSTAGE AND THE ABILITY TO A MORE REALISTIC AURAL
PICTURE. I HAVE LEFT OUT THE KHARMA 3.2 BECAUSE AT $19,000
FOR THE PAIR IT IS MISSING BASS AND THERE IS NO DEALER
IN NEW YORK STATE TO EVEN AUDITION KHARMA. THANKS FOR ANY LIGHT THAT YOU MAY SHED ON MY SEARCH.
kjl

Showing 1 response by audiokinesis

Kjl,

As a former Quad owner, in my experience it's pretty hard to go back to dynamic loudspeakers. The openness and clarity and natural ease of the Quads is a tough act to follow.

I try not to always post a "buy something I sell" post here at Audiogon, but based on what you've said, you might want to consider the Sound Lab line of full-range electrostats. They are probably the ultimate expression of electrostatic technology, and they do have genuine deep bass (while they don't give you the chest-caving whump of a good 15" woofer, their pitch definition in the bottom octaves is superb). Their limitations are low efficiency (in the same ballpark as Maggies) and a difficult impedance curve; unfortunately your Thors might not be sufficiently powerful.

On the plus side, Sound Labs give you world-class clarity and inner harmonic articulation; they do a superb job of letting you hear the individual voices in a large choral ensemble. They give you a very wide sweet spot and (with a bit of room treatment at the first reflection points) will give you a wide and extremely deep soundstage. Sound Labs excel at getting instrumental timbres and textures correct. The do not give you the pinpoint imaging of a world-class minimonitor, but they do a better job of recreating the feel of a live performance with their rich ambience. They do a better job of conveying dynamic contrasts than most planars speakers (including the Quads). The Sound Labs are utterly fatigue-free; you can listen to them for hours and hours on end.

I'd be happy to answer any questions you might have.

Best of luck in your quest!

Duke