Looking For A Dialogue Around Using An Ortofon MC2000 In My Current System


As a bit of history, I used to work in a stereo store part time as a college student. This store was an Ortofon dealer and the owner was a fan of the MC2000, and we typically had one in the store. I was too poor to afford it, but it was always on my want list. Last week I came across an MC2000 on an audio site and bought it. This one is as close to a time capsule as we can get for vintage MC cartridges. While not NOS its in perfect shape with Ortofon outer box, Styrofoam, intter box, all the tools, the graphs, two stylus guards, and even an Ortofon stick pin I presume for you to wear to audio shows to signify you are an MC2000 owner. The stock and irreplaceable cantilever is there and its straight, and rides high. Of course the unknown is diamond wear, and so I am planning to send it out for evaluation and consideration for diamond replacement. 

 

Now the question becomes how to use it. First comes a suitable arm. I have two Dynavector DV505 for a Scheu Das Laufwerk No2 turntable that I can use, and also a Supex SL4 headshell that weighs 5.5 grams or so. I have the stock headshell that comes with the MC2000, but that looks to weigh 10 grams, and this cartridge is highly compliant. I also have a SME V that is spec'd between 10 and 11 grams. I almost consider the SME to be the best match for this application, but then that regulated the number of hours I might use that table as the MC2000 isn't going to be a daily driver cartridge. 

 

Next question is how to get enough gain for it. The owner apparently has the T2000, but is unwilling to part with it at this time. So ideally I would like to find a T2000. I also have an MC3000, and so need the step up for it, and I happen to also have a MC200u. My Esoteric E-03 has 40 db of gain on MM mode, and I have a Graham Slee Accession that is 41.5 dB of gain. The Esoteric is 66 dB in MC mode. So until I locate a T2000 I wondered what options I have. Jensen makes a high output SUT that is 31 dB of gain and seems to be the best choice. I do not see any active pre-pre amps that can do the job. Any thoughts here?

 

As a crazy thought, the Accession has a direct mode that bypasses all RIAA equalization, so its really a pre pre amp then. But placing the Esoteric ahead of it means you are looking at a gain structure of over 80 dB. Probably not a good idea, but I wonder if it could work. Just brainstorming here. Of course the perfect solution is to find a T2000, or even in a pinch a T3000 for the interim till I do locate a T2000. Problem is these SUT have collectors value and they seem to go for silly money these days. But that is what it is, and you have to pay the piper. 

 

So any thoughts on the best way to get this MC2000 integrated into the system?

neonknight

Showing 10 responses by rauliruegas

@neonknight  : "  historical perspective it was considered one of the best cartridges in the world at its time.  "

Probably the 80's was in some ways the " golden years of cartridges " and the Japan designs were at the very top, even against the 2000.

Only to name a few of them where I owned 2-3 of them and/or listened and even in this forum there are audiophiles that still own some samples:

Highphonic MC-D15, Sony XL88D, Victor MC L1000, Dynavector 13-D, Final, Supex SDX 1100D. Audio Note I/O Limited, Audio Technica MC 1000, etc, etc.

Anyway, good that you finally put your hands in what you was looking for and this fact is the must important issue.

 

R.

Dear @lewm  : No, it's not that way. For me the word " anemic " ( your word. ) says to me that something is not really good down there because the 2000 is not anemic in my first hand experiences with different audio items and tonearms and TTs.

 

In the other side, it's obvious that each one of us like different kind of distortions. For me, distortions levels is the name of the game in audio. You already know that I always " work " trying to mantain all kind of distortions at " minimum " in my room system.

 

Anywa, thank's for your explanation.

 

R.

Well, I own/owned not one MC2000 but 3 new samples. I will delete my post that does not like you. No problem.

 

R.

L., maybe not in " trouble " and it's just that you like a different kind of distortions.

 

Nothing wrong with that and sorry to disturb you.

 

R.

@neonknight  : Never mind, not important but thank's.

 

Btw, in one of my MC2000 samples I sended to VDH for a change of cantilever/stylus and I did it not because it need it but to compare aginst the original and my experience is that with the boron cantilever and VDH stylus the cartridge is way better quality performer.

 

R.

Lew, it's not presumptuous, it is only what you posted. Read your post: MC2000 " anemic " sound in comparison with the Manley+cables++++

If you said that MC2000 is anemic with your 2 active high gain phono stages then you are in trouble like it or not. 

R.

Dear @lewm  : " I have two other high gain phono stages that are certainly quiet enough, but they don't have quite enough gain to make me happy.  The MC2000 sounds a bit anemic with those two. "

 

I can't know the @edgewear opinion but the MC2000 " undress " any room/system, same as the Essential 3150/60.

 

In neither of those SS active high gain phonolinepreamps the MC2000 sounds " anemic ". I think that you have some trouble in your room/system. Where? I can't know but your post showed a trouble down there.

Your comparison with the cartridge in the MM+"headamp"(?) is a bad one because you are comparing apples with tomatoes. Way different.

 

As I said, you have a problem where you are not aware of it yet.

Think of all what is hidding behind that Manley Steelhead ( obviously by tubes. ) plus additional IC cables/connectors plus that " headamp " against the straigth Essential unit that additional has a way more accurated inverse RIAA eq. that your Manley.

 

Anyway, several differences down there. 

 

R.

Dear @neonknight  :  On other thread you started and talking about those Ortofon vintage cartridges you posted:

" Perhaps there are limitations in my gear that homogenize the sound.  ""

"" To be honest this is a casual cartridge, so I don't want to spend multiple thousands on a SUT for a cartridge that cost me $900. ""

 

I posted and asked there something that you decided not give an answer. Look;

and you started this thread to discuss what when already existed the other thread?. Makes no sense to me but it's up to you.

 

R.

Dear @edgewear  :  I owned the T2000 that every MC2000 owner were using in those times but I agree with Pisha: not the best SUT other than its high gain.

 

Entré are superior and rigth now in Poland is the ET300 that's very rare to find out. I don't need it. I have a good active high gain SS phonolinepreamp but even that in the past I owned several SUTs ( I still have one Entré and a pair od Denon and ATY.....) and still own and use ( time to time ) the Denon 1000.

 

Anyway, Ortofon is really good with cartridges .

 

R.

Dear @neonknight  : Forgeret about JGH or STP rdeviews of the MC 2000. 

 

I know very well this cartridge own/owned 3 new samples and I really like it and as a matter of fact I can remember that was me whom brougth Agon this cartridge ( maybe I'm not, can´t be totally sure. ).

 

Anyway, the best professional review of this cartridge was made it by Pisha through Audio magazine and he used a Technics SP10 MK2 TT and mounted the cartridge in the great Technics EPA 250 and used not only the T-2000 SUT but other SUTs too and in that review Audio made deep measurements on the MC-2000 where they found out that the cartridge has a compliance of 30+cu and even that the combination with the EPA 250 puts the resonance frequency down 5khz the cartridge traked cleanly the Telarc 1812. As I said great tonearm and very good combination with the MC 2000.

 

You not necessarily have to go with the T2000 and my opinion is to go for the Entré 100 SUT that gives you 33db of gain and Entré is very well designed SUT as a fact the same today My Sonic Labs people ( Go figure !.).

 

Here at very good price:

https://www.ebay.com/itm/124903575831?_trkparms=amclksrc%3DITM%26aid%3D1110006%26algo%3DHOMESPLICE.SIM%26ao%3D1%26asc%3D20201210111314%26meid%3D8963e134b0384d8eb9b8c1584f0be005%26pid%3D101195%26rk%3D1%26rkt%3D6%26sd%3D143182655595%26itm%3D124903575831%26pmt%3D1%26noa%3D0%26pg%3D2047675%26algv%3DSimplAMLv9PairwiseWithPLXWeb&_trksid=p2047675.c101195.m1851&amdata=cksum%3A1249035758318963e134b0384d8eb9b8c1584f0be005%7Cenc%3AAQAGAAACAKRQH5sEcWCyQKdCZm8ZpIwf8B%252BxffmKIB4jE%252FmgTZbZZplfzdPvIX%252FY2LeLs5%252B6Aho%252BJ3VegdVVA6m9kof%252FIC2nXCBKjbbQ2BULkWQk0Sk%252BrwfWzH8KIM76yJy%252Bg7btrW7vdBl44Gy1Tdp5%252FE6xjKCcOYVW0blLphasP90Sa04DYAcKCmbtfGcm5lxvjiXyWaKVhSBvtWy2QDbEwawsGmqauadEcR%252BwOuezrfntHN7gtZ9TYATDvnZnqOOl2Ob7yE9ATN3D1TMN79WRoYywwfbx7yhU0v59JN9nUt4Wg%252BpROs2GPRidDZSvsRgTykoY4UFLeeKjOekSz6F8NeJJ8kSk8aWcz3El4HtrWh%252Bfaa17ilpUBgD692Rx5fgGWeIYGupVnpxIP7y3lgOrIZYG1BGZzteoNXmShBBHIo%252FCZoSZN88gto03cYH2803ZtWe5KjuYE1NWcrONgdWKZ8eyGggXTXmnEQ%252FB9nBs9i9egFvLPr6XnHTqEmd9esNurpM9dETbzGwQfVpapz6GM92qGNFP%252FIUC4LqC3HP38%252F4wJIQJ9%252FbLqTa28zF5s4ASdZLdrtj3%252BCHSG4DW95nZy%252FrmBxecpRDUkz3HR5MR39ATY6h%252FBowJrzbJmRmSe3amv8LCl6m1RjETfdesYrVdq3QqQhn4yUbuOWJYv6c5XpNBChEK%7Campid%3APL_CLK%7Cclp%3A2047675

 

Regards and enjoy the MUSIC NOT DISTORTIONS,

R.