I drank the Linn koolaid for years. I built a state of the art LP 12
with a keel, Radikal, Cirkus bearing. Then upgraded the Ekos Se to an Audio Origami PU 7 tonearm and finally a Tangerine Audio Stiletto solid aluminum plinth and skorpion base plate. This set up is as good as the LP 12 can get and noticibly better than a stock LP12.
But.......
It is still a wonky design quite antiquated relying on three crappy springs fighting against each other. The LP12 requires periodic adjustments as the sprung suspension behaves differently depending on atmospheric conditions, tonerarm cable flexibility and tension. Even trained Linn techs have to fidget with these things.
After all the money spent (over 16K) there are many superior reference tables that do everything that an Lp12 does lght years better. I know this is true as I have a Spiral Groove and a Tw Acustic each for comparable money and they blow away the LP12.
with a keel, Radikal, Cirkus bearing. Then upgraded the Ekos Se to an Audio Origami PU 7 tonearm and finally a Tangerine Audio Stiletto solid aluminum plinth and skorpion base plate. This set up is as good as the LP 12 can get and noticibly better than a stock LP12.
But.......
It is still a wonky design quite antiquated relying on three crappy springs fighting against each other. The LP12 requires periodic adjustments as the sprung suspension behaves differently depending on atmospheric conditions, tonerarm cable flexibility and tension. Even trained Linn techs have to fidget with these things.
After all the money spent (over 16K) there are many superior reference tables that do everything that an Lp12 does lght years better. I know this is true as I have a Spiral Groove and a Tw Acustic each for comparable money and they blow away the LP12.