Linn LP-12 still competitive with the very best?


Hi folks, I wonder if the Linn LP-12 is still competitive with the best offerings from Avid, VPI, TW Acoustics, Teres, Galibier and Transrotor. If that is the case, then it's cheaper to go for a LP-12. What are the weak points of the LP-12? Which tt is better: the Thorens TD124 or Linn LP-12?

Chris
dazzdax

Showing 2 responses by tonywinsc

Personally, I could never get past the looks of the Linn. It just isn't sexy looking to me. To hear that they are in the $10k range now is amazing to me. I could never bring myself to spend that on a Linn. I'm all about sound but looks count too in that price range.
My audiophile buddies and I had Sotas and VPI. In the mid-90's we definately liked the sound of our Sotas better than the Linn. But others loyally defended their Linns'. They always talk about how their Linn has so much better rythm and pace than the Sota. I have never heard that difference and to this day do not understand that comment. If the table wow and flutter is below measurable limits- how does it sound different?
I still prefer the suspended table (Sota) sound over the fixed mass (VPI) myself. My VPI buddy like his TT but would admit the Sota sounded good to him too.
It comes down to what each of us likes and how willing we are to part with our hard earned cash for something intangible to normal, everyday people.
I have a large room- 24 feet across so lots of room on each side of my speakers. When listening to CD's the sound stage rarely goes beyond the speakers, I think I have just one or two CD's that extend a little bit beyond. But when I play records on my Sota, the soundstage nearly doubles in size. The sound stage, on a few exceptional records even goes almost wall to wall.