I don't know if how the Linto stacks up against any competition, having never shot it out with other phono stages, but I used one with a Lyra Helikon and it worked very well. It is very, very quiet (no noise detectable) and has a very dynamic presentation.
The only big issue is that it has a fixed loading, something like 120 ohms. Linn insists that any implementation of variable loading compromises sound quality, particularly noise levels. I now utilize a phono stage that allows for loading changes by remote control. I find that the ability to change loading is valuable.
If you determine that the Linn's loading is approximately what is recommended by the manufacturer of your cartridge, I think the Linn is a good product for the money.
The only big issue is that it has a fixed loading, something like 120 ohms. Linn insists that any implementation of variable loading compromises sound quality, particularly noise levels. I now utilize a phono stage that allows for loading changes by remote control. I find that the ability to change loading is valuable.
If you determine that the Linn's loading is approximately what is recommended by the manufacturer of your cartridge, I think the Linn is a good product for the money.