Line Magnetic quality


Here we go again…

 

Hej!

I have had my eyes on Line Magnetic Audio for some time, but a friend of mine says that I should stay away from hi-fi and hi-end made in china because they have bad luck when it comes to quality and that they sound bad.

I tell him that I have heard otherwise and that people really like the sound of the LM amplifiers.


So Line Magnetic owners, what do you say? Is he right or is he wrong?

 

By the way; has anyone been listening to LM34AI?

simna

Showing 2 responses by migueca

You can't go wrong with Line Magnetic. 
For the past 7 years I lived near their factory and made some friendships with people related to Line Magnetic, Cayin and other Chinese brands (designers, technicians and dealers). And I must say that they take their products very seriously. Quality - both materials and sonics - is outstanding and long gone are the days when Chinese production was synonymous of crap. Of course there are still many shitty Chinese products, but not at this level. 
And these two factories alone (LM and Cayin) are assembling fine pretty pieces of gear for many ultra-expensive brands. 

Along my journey I auditioned almost every product from LM and Cayin (and also Opera Consonance, MingDa, Yaqin and others) and have owned a few Chinese equipments, the most interesting and famous being the huge LM219ia. And although the qualities and attributes of sound are very subjective, one thing for sure is objective: the built quality.
So if you enjoy the sound and style of Line Magnetic gear, just go for it with confidence. 
I think this new model - LM34ia - is replacing the 211. That was a fine entry level amplifier. But my favorites are the big brothers, 518, 508 and 219. I experienced these amplifiers with speakers from Zu Audio, Omega, Dali, Tannoy and ATC, all combos sounding great - preferring the high efficiency speakers though. 
Just pick a model that fits your budget and taste and you will be satisfied. 
Simna,
Years ago, all Line Magnetic amplifiers were equipped with tubes from Shuguang and although these tubes were cheap and not the best thing in the market, the truth is they sounded really good right out of the box. Usually the advice was (and still is) to replace the input stage tubes first, because these are the ones that impact the most of the sound. 
I only replaced the small 12AU7 and 12AX7 for Gold Lions and the improvement was noticeable.
Nowadays I don't know if they still carry the Shuguangs from factory or if they use other brands. 

As as for the difference between those two amplifiers - 34 and 88 - I'm afraid I don't know. They belong to the new breed of amplifiers that I haven't experienced yet.