between two ears alone, on the exact same pulsed signal, the ears, as a pair, have a discernment level that goes well beyond 100khz, with regard to timing resolution, in stereoscopic placement of a ghost stereo signal. (it’s all reproduction and fakery)
and, in that, it must occur at the exact correct microsecond and at the exact correct level, with respect to the two signals coming out of the speaker pair.
to do so, requires an approximate 250khz plus sampling rate, and zero jitter of any kind. at a signal bit depth of at least 20 bits.
currently, we are incapable of recreating/building this. (Jitter)
never mind the sound of an orchestra in the same set-up.
there is additionally other fundamental problems with digital and BJT and Fet transistors.
V-Fet and SIT transistors are the only ones that are useful for human hearing discernment, when it comes to peak functions, and then there is tubes, which are also correct in the critical to human areas of signal reproduction. Analog tape and LP are also correct. Doug sax’s mastering system, BTW, was all tube. For this reason.
when digital was conceived and brought into the world, none of this was known or considered. Digital did some of the most critical (to human hearing) things wrong.... as it was, for the most part.. engineered--- not heard. Big mistake.
and, in that, it must occur at the exact correct microsecond and at the exact correct level, with respect to the two signals coming out of the speaker pair.
to do so, requires an approximate 250khz plus sampling rate, and zero jitter of any kind. at a signal bit depth of at least 20 bits.
currently, we are incapable of recreating/building this. (Jitter)
never mind the sound of an orchestra in the same set-up.
there is additionally other fundamental problems with digital and BJT and Fet transistors.
V-Fet and SIT transistors are the only ones that are useful for human hearing discernment, when it comes to peak functions, and then there is tubes, which are also correct in the critical to human areas of signal reproduction. Analog tape and LP are also correct. Doug sax’s mastering system, BTW, was all tube. For this reason.
when digital was conceived and brought into the world, none of this was known or considered. Digital did some of the most critical (to human hearing) things wrong.... as it was, for the most part.. engineered--- not heard. Big mistake.