Levinson vs Threshold vs Plinius vs Bry


Replacing my beloved CJ Premier 11A to power my Proac Response 2.5s with faster, deeper, tighter bass control (ie rythmic drive)without moving too far towards a dry, analytical sound. Considering the following used amps: Levinson 27.5, Threshold Stasis 200, Plinius 100, Bryston 4BST. I would really like to hear opinions of anyone with experience with these amps and especially if familiar with the Proacs. Thanks very much. Chet McHenry
128x128comchenry

Showing 3 responses by comchenry

Your point is well taken SK regarding the P11A. I had a hard time with the decision but I feel the Proac's are even more of a special item than P11 (by a very slim margin) so I am going the route I am. I will keep my CJ Pv12 preamp however to keep most of the tube glory going. Still searching for the ideal solid state amp for listening preference and my Proac's. Thanks
Rayd, I am auditioning a Bryston 3BST as we speak and I must say I'm amazed at the little guy. My fiancee' and i are really putting it thought it's paces and for our ears there are no weaknesses. Slightly less "magic" than the Premier 11a but FAR less compromise than I expected in the midrange area where the CJ shines. The quickness and authority in the low and mid bass plus a really neutral midrange and great top end (not the lest bit hard but "right there")create the sense of a live performance we both really like. I am going to sleep on it a few days and keep throwing different music at it but at this point, I believe I will soon own a pair of them.
It is very easy to write Bryston off as an excellent match for the 2.5's because a)It is easy to draw the (incorrect)conclusion that Bryston ST series amps lack refinement. The improvement over previous series Bryston amps is amazing. b) Our brains struggle with the concept that something that costs so little (by comarison) could sound so right. I had the CJ Premier 11a and I understand "warmth" and 'beauty" in musical reproduction. What I enjoy most is the immediacy and dynamics that I feel when attending a live performance in a small venue with good acoustics. I found the Bryston to be very dynamic and involving without sounding the least bit bright or fatiuging. Perhaps my other components are helping to smooth out some of the edginess that some recordings possess. The 2.5's are forgiving, as well as the PV12 CJ preamp, Classe cdp.5 CD and MIT cables. I agree that the big, expensive Levinson amps are unmatched in soundstage depth and width and other areas but not not in any huge way. The price difference on the other hand is amazing. My point: Bryston ST amps are too often written off as not being true "high end". Who really knows the motives behind those who are saying that. Don't be fooled. Be careful with system matching and listen for yourself but get ready to be impressed.