I got the Levinson bug recently and got a #39 processor/player. And a 38S pre. I’ve been using a CEC TL1 with the Bricasti for years. Great combo.
i was only planning on using the 39 as a transport. I got a great deal. Cheaper than the 37 (transport only).
Anyway, I was shocked that the 39, as a player, sounded nearly (and in some cases) identical to the Bricasti. I have A/B’d dozens of times and the 39 is so close that I’m considering selling the Bricasti and getting a 360s D/A. I can use my M2tech Evo for USB connectivity. I realize I won’t be able to play newer hi-rez formats but that’s not a priority for me.
Just wanted to share.
P.S. My Bricasti has the upgraded power supply but not latest firmaware.
A couple of days ago I wanted to compare digital cables from my ML 39 (as transport) to the Bricasti. First up, the Crystal Clear Audio XLR (don’t know which model but about $500 10 years ago. Great cable.
Next was an old Tara Labs RSC Master Gen. 2. Ok. B-.
Nordost Silver Shadow. Good but not nearly as good as the Crystal Clear.
Then I remembered I had a Signal Cable RCA Silver Res. For laughs, I tried. Best of the bunch. 10 times less than the other cables.
Ain’t audio fun!
P. S. I’ve had a Nordost Valhalla in before. It was nice but not $2,000 nice.
That would have been good to know, as I know someone who needs one. So I emailed
Parts Connexion for price, they said. "Unfortunately we do
not have any."
I have a mk.1 and mk.2. Both busted. I’ve heard the chips are near unobtainium.
Yep, if it's been confirmed those Ultra Analog d to a converters have bit the dust, then I'm afraid you have what used to be very nice expensive dacs, that have now progressed to be very nice expensive door stops. RIP
Hey George. You are too far in the tech weeds for me to keep up. I don’t doubt the technical aspects of what you’re saying. I’m just reporting what I’ve heard.
But I like coming along for the tech deep dive. Know anything about the Sonic Frontiers SF-D2? I have a mk.1 and mk.2. Both busted. I’ve heard the chips are near unobtainium.
I read that both the 39 and Model 1 have a true balanced signal path
Impossible for the 39, look at page 3 pin 11/14 it the only current output, and it’s single ended for one channel to the I/V opamp. Anything after that is going to be "pseudo xlr" made up by another opamp to create it. I would rather no have that in the signal path, so the single ended output should be better. http://www.lampizator.eu/lampizator/LINKS%20AND%20DOWNLOADS/DATAMINING/1702%20dac.pdf
The M1 Bricasti yes, it's the other way around as it's dac chip has + and - outputs so it's balanced. Trouble is it's Delta Sigma conversion which I feel is not as good as R2R Mulitbit like the 39 for converting PCM Redbook 16/44 and 24/96.
But maybe too much so for me. I’ll have to listen some more.
I think you may change after a few days/weeks of listening, I’ll say this though, the best recordings now will blow you away, but the bad ones may irritate more because they’re not being softened anymore. To me this means your getting everything, warts and all, no punches pulled.
Also I’ll leave this thought with you. As for XLR hookup. The 39’s PCM1702 dac chips are pure single ended. By using the xlr output you are using another opamp in the signal path that pseudo changes se output into xlr. I think the purer sound should come from the 39’s se outputs, not the xlr’s.
George- went direct today. ML39 to Rowland Model 1. It was interesting. On one level the transparency was amazing. But maybe too much so for me. I’ll have to listen some more. But since I stillI play vinyl it’s kind of a hassle to rewire.
But the most impressive thing was changing the Levinson to Rowland chain to XLR. I know the manufacturers recommend that but since I was running RCA, I thought oh well. Maybe down the road.
Then I reminded myself (I have a project studio) that I have tons of XLR cables. So I threw Mogami gold cables in... Wow is an understatement. Not only did they sound better than my Nordost Frey or Organic (by Argento) the imaging snapped more into focus and there was quite a bit more detail. All for less than 200 bucks.
ill probably try some expensive XLR but let me tell you, I don’t need to look elsewhere.
I bought from George Meyer AV in LA. They’re an authorized Levinson repair shop. It was just recently completely refurbished. I would not be surprised if they had a spare Philips laser or two.
Made a mistake above the, 39 only has the PCM1702 dac chips, not the later PCM1704 The only problem with owning the 39 is the laser Philips CDM12 Industrial, original Philips almost unobtainium new even used $$$
One of my R2R dream machines, been looking for one for ages, to do redbook with.
Yes they do have PCM1704K d to a chips (selected) and a HDCD input filtering chip, this is about as good as old school R2R Multibit gets, most new today are discrete R2R because the PCM1704 is no longer made because of it huge manufacturing cost and was the last of the best R2R’s chips made.
And forget the preamp, you really should try the No.39 direct to poweramp as it has an output stage most active preamps couldn’t match, should sound far more transparent. Here’s how to do it.
Fixed/Variable Volume The Nº39 gives you the option of engaging a high quality analog volume control, allowing you to use the Nº39 as a digital-sources-only 52 “preamp,” driving a power amplifier directly. This capability is particularly useful in simple systems involving only two or three digital sources. (The volume control circuitry is completely removed from the signal path when this option is turned off). When first engaged, the volume control circuitry will be set to a low volume to avoid any chance of overdriving your loudspeakers
.
Balance Control If you have engaged the volume control circuitry by setting the + VARIABLE menu item, then you will also see a balance control within the setup menu, indicated by arrows pointing in both directions (when at the neutral position). Pressing the mode + key will move the balance and the image to the right, indicated by a number of decibels and the arrow pointing to the right; pressing the mode – key will reverse this process. (This menu does not appear in the – FIXED volume mode, since it would not apply.)
Locked Volume Lastly, if (and only if) the volume control circuitry is engaged, you have the option of setting a maximum volume beyond which the Nº39 will not go. This is particularly helpful if you have a combination of high sensitivity speakers and high senstivity power amplifiers, which might make the normal maximum volume setting on the Nº39 dangerously
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