Let's Talk DAC's


My current DAC, the Chord Chordette Qute HD is getting on with age and I am looking for a new one with superior performance. So far, I have narrowed down my search to five DACs. At the low end is the Denafrips Ares II and the Eversolo DAC Z8. Mid range the RME ADI-2 and at the top end the Chord Qutest and the Denafrips Pontus II.

This is for an all-digital setup in a 12x12 dedicated room. I have a much larger room with a much "bigger" set up, but for this room it is a simple PrimaLuna Prologue Classic integrated, Audiolab 6000 CD transport, ProAc Tablette 10’s, and a REL T/5i Subwoofer. I plan to add a streamer as well, but that is for another discussion.

I am conflicted with the choice between a delta-sigma modulated DAC and an R2R type Dac. I do like the FPGA technology in my current DAC. It has served me well.

I am certainly open to other ideas and welcome comments from those of you that have experience with this equipment.

I forgot to add; I like a wide and deep soundstage and good imaging. I also hate a rolled off high end.

 

 

 

 

desperado915

Showing 2 responses by larryi

There are several other considerations.  Are you looking for something that emphasizes CD level reproduction or does it have to do high-rez as well?  The best sounding DACs for CD resolution playback are often CD only DACs,

Most DAC manufacturers focus on the digital side--DAC chipsets, clocking/re-clocking, exotic filter reconstruction of the signal, etc.  But, there are other manufactures that employ "primitive" and simple digital to digital to analogue conversion and emphasize improvement in the analogue circuit.  The two types of DACs can sound quite different, and it is worth your while to listen to both.  While they measure quite poorly, Audio Note DACs, to me, sound fantastically natural, relaxed and beautiful.  They represent quite the extreme in the emphasis in the analogue side. Some of their cheaper models (still not cheap) have essentially the same digital circuit as their crazy expensive top end DACs--the price difference reflecting the quite exotic exclusive parts they employ in the analogue side. Synthesis Audio and Lector, both Italian companies are other examples of analogue side DAC makers that make really nice sound stuff.  

Because it is talked about so much, it is easy to get caught up in R2R, filter choices, etc., but, it is worth at least trying a different path.  The result might surprise you.  

My local dealer loves to do whacky, but very instructive, demonstrations with the ProAc Tablette speaker.  Recently, he put a $30,000 tube amp on the speaker to demonstrate that amps matter a whole lot, even when the speakers are supposedly "modest" in price and expected performance, and to demonstrate how fantastic the Tablettes can sound when they are given a fair chance --i.e,, used with other high quality components.  A few years ago, at a Washington DC area Capital Audiofest show, the dealer took a laptop with stored music, a small and modestly price (but really good sounding) tube amp and the Tablettes.  The secret sauce in the setup was a DAC that now costs above 6 figures (Audio Note DAC 5 Signature).  People who heard the room were simply amazed at how good the system sounded--full, rich, alive and musical  Almost everyone went around the room looking for a subwoofer (there was none).  The speaker was fully capable of showing off an ultra expensive DAC. 

The Tablettes will be very capable of showing off whatever changes you make in your DAC choice.  Again, as I said above, you should include in your auditioning a few DACs that emphasize the analogue stage--primarily they are tube-based DACs that don't merely add a tube buffer to give them a tube sound.