Law of Accelerated Returns


I think back over the many decades of pursuing high end audio and I realize some of the most inspirational were listening to state of the art systems. Systems I could never dream of affording. I occasionally would get up early and drive the two hours to Phoenix in hopes of finding no one listening to the state of the art system in “the big room” at one of the four or five high end audio stores there in the early ‘90’s.

One such time I was able to spend over an hour with the most amazing system I have ever heard: Wilson WAAM BAMM (or something like that… all Rowland electronics, Transparent interconnects). The system cost about over $.5 million… now, over a million… although I am sure it is even better (I can’t imagine how)..

 

But listening to that system was so mind blowing… so much better than anything I could conceive of, it just completely changed my expectation of what a system could be. It was orders of magnitude better than anything I had heard.

 

Interestingly, as impressed as I was… I did not want “that” sound, as much as I appreciated it. It still expanded my horizon as to what is possible. That is really important, as it is really easy to make judgments on what you have heard and not realize the possibilities… like never having left the small town in Kansas (no offense).

I keep reading these posts about diminishing returns. That isn’t the way it works. I recently read an article by Robert Harley in The Absolute Sound called the Law of Accelerated Returns that captures the concept perfectly. March 2022 issue. The possibilities in high end audio is incredible. Everyone interested in it in any way deserves to hear what is possible. It is mind expanding. 

 

 

ghdprentice

Showing 8 responses by jerryg123

It's all subjective. Enjoy what you have and envy is not worn well.

One mans garbage is another mans gold.

If I die tomorrow I will die a happy content man.

Remember it is about the music not the trappings, at least in my world.

Thank you @steveashe this thread reminds me of the posers at the racetrack with their new Ducati’s and zero skills at dragging a knee and I stuff them on a 20 year old VFR400 or Hawk GT.

Question is do these posers know how to listen?

Music first.

As a musician I know, I know how to listen.

You can spend a $100k and if you have no listening skills then you just wizzed away $95k.

I am done here today off to Whats Best Forum.

 

Reference my trappings cost $45k.

Once again this goes over ones head and between their knees.

Thinking OCD Mikey is right....

Point is you have to have the skills to appreciate the tools you are using.

 

Damned young whippersnappers on new Ducati's! In my day you earned to right to buy a nice new bike. Your statements betray the precise attitude I was referencing. 

 

I need to give the Ohm Walsh’s a whirl in my room. I think they are fascinating 🧐 

I have heard only one setup EVER that did the 3-d sound stage

Same here it was the Chicago Symphony Orchestra and I have given up on trying replicate that sound years ago. I can not replicate Orchestra Hall in Chicago at my home in the burbs. I have tried and my gear and room have their moments. 

 

 

I am very intrigued @asvjerry and might give them a test drive in one of my smaller systems. I do respect your opinion and that of @mapman.