Fathers, we love you!
Last night the Music took over….
I woke up this morning a little hungover, not from wine but from the lingering spell of last night’s listening session. Nicki Parrott’s voice was still in my head, smoky and rich, wrapped in the warmth of Black Coffee album on vinyl.
You may or may not be a fan of hers, and that’s okay because this post isn’t just about singing praises for her impeccable storytelling. It’s about those moments we all chase… the ones when your system disappears, and the music breathes with such life and intimacy, it feels like the artist is right there with you.
Last night, my system was at its absolute peak. Everything clicked. The performance was spellbinding, her tone so warm, her phrasing so present, it made me pause and ask myself:
Have I finally reached the point where I can stop tweaking… and just enjoy the music?
So I’m curious…have you had one of those nights where the gear disappears, and the music just becomes the room?
What was playing?
I’d love to hear about those moments that made you forget the tweaks, the specs, and the chase… and just feel!
Showing 7 responses by slaw
Very 😎 @ghdprentice |
I wouldn't be able to sleep @dogberry after such an experience. |
Thanks for your reasoned response @lalitk . I had several I’ve been building my system in the same space for 30 years. One becomes very intimate with their system in this scenario. I spent years of my early audiophile life with a VPI Jr. The ultimate DIY tt for a long while, which fulfilled my needs for understanding how differing materials and designs affect SQ. I went through all VPI upgrades to Mk IV status, even had a SuperPlatter on it. Also different belts IE: round, flat, bead cord etc depending the pulley I was using at the time. Also separating the motor from the base, various isolation platforms, wall mounts, cone material types, springs, tt power supplies, etc....This ultimately led me to compare various platter mats, weights, clamps. This long interest in reducing resonances by way of different materials/designs, intrigued me. So, this was my start. Had an ET 2.5 on said tt for 20 years. I made a continuous wire loom for it with the same Cardas wire as factory, that removed one connection point. The difference was substantial and went into my memory banks. One of my first cable epiphanies was trying a PAD (Purist Audio Designs) Elementa phono. It opened my then system up in a good way. I’m not a cable denier. Have since had many different designs in and out of my system. My first phono cartridge Around this same time, I bought my first MFSL lp. Led Zeppelin II. ($!2.99 from MOFI) Another epiphany.....thus another never-ending quest for great recordings/pressings was born. When I started fooling with speaker placement, realized how so important that is. Another major step for me then, that is now so obvious. I use dual subs in my small room and found that their proper placement is so important. Decoupling all equipment where possible (especially tt) was a huge benefit. I have dirty power at my house. The best conditioner I’ve owned are the Puritan PSM156 (2). Improved pretty dramatically over the passive 2nd generation Shunyata designs. System synergy is key, I’ve own several amps that I use with my Usher Mini 2 Diamonds and while they all sound great, I purchased a pair Merrill Audio Veritas Monos last year and they are my new reference amps. More resolving and have great control. After experimenting with footers, went with HRS. Wouldn’t think they would make much difference under a solid billet aluminum chassis but they did. Finding the right cables made these amps/Ushers shine. My Herron VTSP ESP REF and Audia Flight FL Phono are probably my endgame pieces in their respective duties.
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@lalitk , Thx! I'm working on my response. |