Klipsch Heritage Series

I own a Pair of Lascalas, which I have heavily modified to eliminate cabinet and horn resonances and vibrations. I have also built risers for them, which gets them to a better listening height and adds about 50 pounds of mass to each structure. I have left the crossovers and drivers stock, as I find them excellent. I do have them mated with a pair of sub woofers from 50 hz down. I listen from a seated position of 13-14 ft and have a room which allows them to breath. I have owned all sorts of speakers in my time and I can only tell you that nothing has made my feet tap the way they do with my set up. The system not only plays loud , but so easily plays loud vs soft passages, unlike most speakers, which I find congested. They are very coherent and smooth, and those artifacts of honkiness that some speak of, are non existent. Every recorded instrument, including those of male and female voice, is unaltered and pleasantly voiced. The presentation is quite life like. I get such a sound stage that it is amazing there are speakers there at all. Also quite amazing is the speed and attack of the musicianship (PRAT). I also want to add that I have been lucky to have finally found equipment (40 years doing this)to match them "for my ears". I cannot stress this enough. Speakers cannot be judged by themselves. System matching, room size/acoustics, tweaks and adjustments (all with time and patience) are critical in accomplishing this nirvana we are all looking (listening) to achieve. Good luck with your search.

The only "paper drivers" in most Klipsch Heritage are the woofers. The tweeters and squawkers have phenolic diaphragms. As for the paper woofer cones: they have no foam surrounds, so have excellent longevity. As for Heritage sound, for me it's the closest thing to live music I've heard (I own La Scala's and have owned Belles in the past). Other speakers I've owned are Spendor, Harbeth, older KEF. All those speakers were outstanding in their own way, but none had the realism and dynamics of my La Scala's and Belles. Sure they'll play loud, but they're most impressive at low volume, where you can still hear every detail of a recording. Some say Klipsch are fatiguing. So is live music if you listen long enough. I've never felt fatigued listening to my La Scala's, though I never listen longer than two hours. My advice would be similar to others: if you're interested in hearing them and can't audition, get a used pair. If you don't like them, they're easy to sell for what you paid, sometimes more.

I forgot to address one of your concerns in my last post. You say you want better soundstaging. Klipsch might not be your best bet in that case. Horns are very directional. If pointed directly at you, the soundstage is very good, but not great. My Spendors and Harbeths soundstaged incredibly well. But they lacked the clarity, dynanics, and resolution of my Klipsch's, especially at low levels. You ask what it is about the Heritage line. For me, it's their overall sonic realism. But that isn't everyone's most important critereon.

IME, the Klipsch do have an excellent soundstage. I own Cornwalls, and have heard the Belles and the K-horns. The horns are of course directional, but IMO this actually directs the vast majority of the sound where you want it to go, and therefore it can minimize some negative effects of the room acoustics. Of course, this also depends greatly on the room. I have never been disappointed with the Klipsch, even for full scale opera.

Donjr On another thread of yours you indicated you had a problem with the front left corner of your room. Klipsch, as most speakers, do not fair best in corners, IME (K horns excluded). I will say, properly set up, a pair of Klipsch heritage speakers (I am partial to the Lascala) will give you endless hours of musical enjoyment.