Bargain hunters versus connoisseurs. The first mentioned look at the price
the second for ''the master'' who made them. Say Ikeda-san, Takeda-san,
(Jan) Allaers, Reto Andreoli, J.Carr , etc. Those which are rarely offered for sell.
This is the indication that the owners are not willing to part from them.
They do not ask for price but use the opportunity to ''grab'' the wanted one.
I for example (sic!) was waiting for two years to find Ikeda's REX , his
latest cantileverless kind. What is common to them all is ''made by the
master himself''. One can see, for example, many Van den Hul's for sell.
But nobady is sure if the ''master himself'' made them. Nobody even
knows how many employee he has,
And regarding new Kiseki's one can see that many are offered second
hand. I owned all of the old and still own 4 kinds. The difference can
be seen in the used parts. The old used Dynavector parts the new
unknown kind. Anyway the old sound much better than the new .
I am sure that Raul has never heard any new Kiseki otherwise
he would not recommend the new purpleheart.