Jolida Fusion 3502S vs. Jolida Fusion 801


  I would appreciate comments from anyone who is familiar with both the Jolida Fusion 3502S and the Jolida Fusion 801. Thank you.
guppy

Showing 3 responses by jpsound

Hi Guppy,

I am not familiar with the Jolida 801, but own the new  Fusion 3502S in its basic configuration with EL34 tubes.  The amp can be used as an integrated or as a full power amp with a bypass switch in the front panel, a great feature.  I was a little worried at first about its 50 Watt/ch nominal output (75 watts peak) to drive my 89 db speakers, coming from a mighty 240 watts/ch dual mono solid state amps.  Nothing to worry about, this one hits hard, is a really powerful amp that sounds like  a 150 watts/ch SS amp.  

Tube watts, as they say.  And the EL34 are the LEAST powerful tubes it can handle, going up to KT 150s, for about 85 watts per side.  The preamp section is also really  good, I compared it against my top notch tube preamp and was impressed.  With the right tubes it can shine.  In this amp,  the GE 5751 black plates, triple mica from the fifties is out of this world. Forget about 12AX7  Mullards  or Telefunkens, too noisy.  And  I discovered that relatively cheap NOS  military Sylvanias JAN 12AT7WA 1957 vintage (also triple mica)  sound so damm good that they will stay there.  

Well,  this is my experience so far with this amp.  I like it.  It is a solid and heavy piece of iron, powerful, capable and versatile. And it sounds great...
Don’t know if this thread is still active, but anyway an update of my previous post is necessary... just to share my experiences with  some tube combos that sound great in the Jolida 3502c.  As with any tube amp, this one “likes” some tubes more than others, and the “sinergy” between the input and the driver tubes is absolutely critical for sound quality.  

As I said, I found that the vintage 5751s black plates triple mica, either GE, Sylvania or RCA sound splendid in this amp, even  above my fancy Mullards or Amperex 12AX7.  I tought that the 12AT7s were not as important, but I was wrong.  The vintage  Brimars 13d9 (a special quality 12AT7) can be had for about $ 20 each,  and are vastly superior to anything I tried...I mean, combined with the 5751s your Jolida will sound magical.  All this with the standard and quite good EH EL34s.

Currently running  new KT150s for a few hours, great tubes of course, but I feel they need a good burn in to reach their full potential.  No opinion yet.   However, the Genalex Gold Lion KT77s, driven by the above mentioned combo sounded so damm good that the bar is really high...
Hi, WG.  Very interesting, I did not experienced all the “other” KTs but went from EL34s to GL KT77s and they were  good from the start, but  the sound steadily improved with use, and after  a good burn in I have to agree with you:  these are simply exceptional tubes.   Not only in the standard categories of good bass, mids or highs (which they have) but in their superbly linear  and musical presentation .  

Difficult  to describe, after rolling a lot of pre and driver tubes in the 3502c, (in integrated mode) while  in power amp mode doing the same with my nice FA Euforia preamp,  (and I mean top notch vintage TFKs and  Mullards with this one) the GLs were revealing of every nuance...even from the 12AT7s drivers.  That’s why I strongly suggest the Brimars.  Fantastic sinergy with the KT77s.  But the exotic E180CC...come on baby,  pure and unrestricted triode sweetness.