Jolida 1501RC hybrid integrated vs. Rogue's Sphinx


I was all set to purchase Rogue's (new) Sphinx hybrid integrated amp, when I came across an excellent internet sale for a minty Jolida 1501RC. The attraction was saving almost $800.

The Jolida model was first issued in 2004 and is 100wpc and also a hybrid integrated. It does lacks a phono stage which the Rogue offers. I do not know of the official age of the Jolida unit for sale, but am inquiring with the buyer.

However, I have no way to audition either amp side by side or individually. Therefore, can someone inform me as to whether the Jolida 1501RC is a quality product compared to the Rogue's Sphinx integrated which has received two very good reviews

There always seems to be tons of Jolida products for sale on AG. Is Jolida reaching for mid-fi status by offering so many models and options????......... Thanks
sunnyjim

Showing 2 responses by mulveling

Some of the Jolida stuff certainly isn't awful (I had and liked their JD100A long ago), which can't be said of a lot of chinese gear, but anything Rogue will be a big step up in build quality and support...plus their gear sounds excellent. With all the legal mess going on between the 2 entities claiming the name "Jolida", I wouldn't be certain of support there.

Furthermore, stuff from China is getting to be as expensive as (or even MORE than) similarly spec'd designed-and-built-in-USA Rogue gear. Lots of cash going to glorified middlemen with the china gear. I don't see the logic in considering china-fi under those circumstances.
The CM is great, and for my speakers I'll pick the CM over SS every time. However, my friend's shop has a Sphinx hooked up to Kingsound Prince electrostatic panels, and it just struck me as a really sweet combo. In fact it seemed a bit better of a match than the CM that was hooked up previously (the CM got sold).

I wouldn't expect that to be typical; it may be a electrostat thing -- and that being said, the panels aren't really my thing, either, though they do have their strong points. Speaker-to-amp matching does matter; were I in your shoes I'd roll the dice on the CM over the Sphinx.

Also, I have to reinforce that while the CM's (and I assume the Sphinx's) built-in phono stages are good starter or stopgap solutions, they'll increasingly become a bottleneck once you've upgraded your analog rig to say the $1K table/arm/cart level. It's very worthwhile it upgrade to an outboard stage at that point, which of course includes Rogue's own options. The 99 Magnum's built-in tube phono stage is also very good, btw, so I can't lump it in with the other built-ins.