Jazz listening: Is it about the music? Or is it about the sound?


The thread title says it all. I can listen to jazz recordings for hours on end but can scarcely name a dozen tunes.  My jazz collection is small but still growing.  Most recordings sound great.  On the other hand, I have a substantial rock, pop and country collection and like most of us, have a near encyclopedic knowledge of it.  Yet sound quality is all over the map to the point that many titles have become nearly unlistenable on my best system.  Which leads me back to my question: Is it the sound or the music?  Maybe it’s both. You’ve just got to have one or the other!
jdmccall56

Showing 1 response by anton99

I can lose myself more easily with jazz these days, especially with recordings from ECM and just about everything by Bill Evans (the Complete Village Vanguard sounds brilliant on cd; a great vinyl pressing of the full set would be apocalyptic). Listening to "Trio '64" yesterday was mesmerizing. Piano in the center of the living room, drums off to the right, bass over to the left. I almost looked for a waiter to order a drink from. 

No, I couldn't name a single title on that disc, while I can tell you stories about most U2 songs. But when I was in my 20's music meant something very different than it does now. It was much more social, whereas jazz and classical are today much more solitary pleasures for me. And the (generally poor) SQ of most U2 recordings in the '80's and '90's was irrelevant then. I suspect the pleasures I derive from music have changed as a result of age. Not in the sense of "growing up" or maturing, but simply changing. Evans, Miles, Trane, Jarrett, Jamal, the contemporary Scandinavian stuff on ECM: it all sounds great, but I listen to all of it alone. And I expect the very best SQ. But when I put on "Achtung Baby" or "War," or most of the rock I grew up with, I'm looking for someone to share it with, and SQ isn't nearly as important.

Except with "Quadrophenia" and "Who's Next." Go figure. . .