Jazz for someone who doesn't like jazz.


I've toyed with the idea of looking into jazz. Not sure why. Not sure what I'm looking for. Maybe just something to sound good on my system. I realize jazz is a broad category but much of what I hear I have not been attracted to. Don't ask me what I've heard.
What I'd like is a recommendation of two or three albums to start with. (I know that's insane)

And since I've given next to nothing to go on I'll point out a few things that I do like that might help narrow it down some maybe.

Jazz-like stuff I do like: Steely Dan. Almost all of their stuff. Van Morrison's jazz influenced stuff like Astral Weeks.
I like blues. Delta and hill country hard core blues.

I like a wide variety of rock from heavy metal, to prog rock to classic R&B.
Does any of that help? I know this is a crazy request but if I could get some recommendations I'll at least have somewhere to start. Not looking for specific recordings yet. Just content. When I find what I like I'll research the best recordings.
Thanks for any possible advice.
George




n80

Showing 3 responses by nicotico

Some good advice here, but N80 I’ll go contrary to some of it. If you’re new to Jazz skip the Ken Burns series, at least for a while. The only thing you need to know from that whole series is the Wynton Marsalis quip about Jazz “it doesn’t come to you; you have to go to it.” A good radio station that plays a variety of Jazz is indispensable.  And lastly, seek out those who pushed the boundaries of their instruments and music. 
If the first (or earliest) bottle of wine I ever drink is a $500 vintage bottle, it is not the same as if I drink that same bottle after having experienced many other bottles over a long period of time (responsibly, of course). Enjoy the wine (or music).
Hey @oregonpapa,

l really like your observations about Cannonball’s influence on the whole album. Thanks for sharing. I had to respond to your post, because I have always felt for a long time that someone besides Cannonball (and other than Miles) had that exact same pervasive influence on the outcome of the whole album that you refer to. For me that person is Bill Evans. I like to think of Bill as Miles’ “silent partner” on that album who could deserve equal credit with Miles. I’d have a hard time explaining why I feel that way; I just do. But your view about Cannonball is just as valid, and interesting to me.