Jazz for aficionados


Jazz for aficionados

I'm going to review records in my collection, and you'll be able to decide if they're worthy of your collection. These records are what I consider "must haves" for any jazz aficionado, and would be found in their collections. I wont review any record that's not on CD, nor will I review any record if the CD is markedly inferior. Fortunately, I only found 1 case where the CD was markedly inferior to the record.

Our first album is "Moanin" by Art Blakey and The Jazz Messengers. We have Lee Morgan , trumpet; Benney Golson, tenor sax; Bobby Timmons, piano; Jymie merrit, bass; Art Blakey, drums.

The title tune "Moanin" is by Bobby Timmons, it conveys the emotion of the title like no other tune I've ever heard, even better than any words could ever convey. This music pictures a person whose down to his last nickel, and all he can do is "moan".

"Along Came Betty" is a tune by Benny Golson, it reminds me of a Betty I once knew. She was gorgeous with a jazzy personality, and she moved smooth and easy, just like this tune. Somebody find me a time machine! Maybe you knew a Betty.

While the rest of the music is just fine, those are my favorite tunes. Why don't you share your, "must have" jazz albums with us.

Enjoy the music.
orpheus10

Showing 50 responses by stuartk

@curiousjim 

Having encountered some of his stuff that sounded a bit too commercial for my tastes early on caused me to give up on him but given his large discography, there must be other more straight-ahead recordings I might enjoy. 

@acman3 

I did 't mean to imply PM is essentially commercial. His recordings do cover a wiide spectrum.

 

Maybe I'm mistaken but I thought Haden also performed with E. Gismonti during that same festival. 

OK. I found this:

https://ecmrecords.com/product/in-montreal-charlie-haden-egberto-gismonti/

Maybe it was a different gig? 

@jafant 

I'm not surprised to read on Wikipedia that R. Haynes is "among the most recorded drummers in Jazz". 

In addition to his own recordings, he's played on an amazing variety of sessions in many different sub-genres. A master!   

 

@pjw81563

... and yet another is "Journey’s End" on ECM with John Surman.

YouTube only has one track:

https://www.youtube.com/watch?v=wRyDDBeOWCA&list=RDwRyDDBeOWCA&index=2

 

BTW, have there been previous discussions of John Surman, here? 

 

 

 

 

 

@mahgister 

Jazz is way more powerful than we may think because it can transform any piece of music in something different and not less beautiful, proving to us that music is more than the sums of his parts.

Beautifully said!  

  

 

 

@curiousjim

You might enjoy perusing the discography on Hancock’s own website -- it has the covers displayed graphically.  Click on each cover for notes. This is an entertaining and very easy way to research his recordings all in one place. Not only that, there are links to Spotify so you can listen, too. Pretty cool resource! 

https://www.herbiehancock.com/music/discography/

@acman3

I’d forgotten I’d seen the Heath Brothers until I saw this ! Must’ve been late seventies in Santa Barbara -- don’t recall the venue. Stanley Cowell was on piano. I seem to recall them being on a mission to demystify jazz, make it more accessible, at that time.

 

@curiousjim 

You're welcome!

Wish more artists' websites emulated H.Hancock's.

@botrytis 

Sounds like a healthy approach to me...

@botrytis

I’ve played guitar for 50 years (just to entertain myself -- I found out early on that gigging was not for me) so I don’t have to depend upon my system to have a deep connection with music.

Nevertheless, I still enjoy good audio, just as I enjoy a good sounding guitar. I was very naive when I first jumped down the "rabbit hole" and it’s taken me quite awhile to appreciate just how much I don’t know about gear and acoustics. I’ve found "the journey" to be quite a roller-coaster and I admire anyone who can keep their balance.

That Hancock/Corea show must’ve really been something!

BTW -- my wife and I also enjoy listening together. She has no interest in hunting down music and has witnessed how OCD I can get when it comes to gear but she, like me, dearly loves music. 

"I’ve Got Your Love" from Boz Scaggs "Come On Home".

https://www.youtube.com/watch?v=-Ia15RLRpCo&list=OLAK5uy_nHjoCyyKJVGBc7i4cD8b4bmqpyIxVLm2w

The whole album is excellent -- musically and (to my ears, at east) sonically. It’s one of my favorite Boz albums that seldom gets mentioned on the forum. Not only does he sing but he also plays some very tasty guitar. I’ll be surprised if, hearing this track, you don’t want to play the the rest.

"My Funny Valentine" has long been one of my favorite Miles releases.

"Four and More" is its companion, featuring all up-tempo material. Somehow it's never appealed to me all that much but you might want to check it out. 

@curiousjim

Do not neglect this one:

https://www.youtube.com/watch?v=JLewsblH64M

It’s also known as "Complete Concert In Germany".

I have a special attachment to my copy, having bought it in Paris.

Another live recording -- this one a trio:

https://www.youtube.com/watch?v=MgZHiYvztfE&list=OLAK5uy_lBGXJME_H0rjQwYH2tDA32a9TjTIQ2EGo

 

 

 

 

@curiousjim

You mean Frankfurt, I presume... ;o)

Glad you enjoyed it!

It’s certainly one of my favorite solo Jazz piano performances of those I’ve heard.

BTW, if you haven’t done so, already, check out the Live At Maybeck series of solo piano recordings. I have no idea whether they can be streamed but a small handful are on youtube:

https://www.youtube.com/results?search_query=live+at+maybeck+recital+hall

 

 

 

@acman3

The music may be really good but I experience the timbral combination of piano and banjo to be rather unpleasant.

Your ears are "bigger" than mine.

@curiousjim 

I'd never heard of her so I listened to several tunes from that album.

What is it you don't like? 

@jafant

Are you familiar with Ginger Baker’s "Coward of the County"?

If not and you enjoy Ron Miles, check it out!

https://www.youtube.com/results?search_query=ginger+baker+coward+of+the+county+full+album

@curiousjim

For me, there’s not enough variation in mood, tempo, to really enjoy that Aldana album. I don’t have any issues with her playing, per se.

@acman3 

Wayne was always an angular player

.... who wrote many accessibly melodic themes the average Jazz lover could whistle. 

@curiousjim 

That's a good one but the only Jazz recording of his I've heard. Let us know what you discover!  

@jafant

I particularly like "Nightlife in Tokyo" but he has amassed quite a long discography. 

 

 

@acman3

And then there is this

I’m an Old Cowhand (youtube.com)

I could never stand those corny "hoofbeats". . . too kitschy for my tastes...

Fortunately, there’s no shortage of fine Rollins recordings to enjoy!

RE: "Coltrane Jazz", "Coltrane’s Sound" is my favorite recording from that stage of his career.

 

 

 

 

@acman3 

I didn't mean for my remarks to sound so combative. Sorry about that. Dunno why the thought of a simple sound effect triggered such a strong reaction. 

@jafant

Have you heard this one?:

https://www.youtube.com/watch?v=YQ_BlsY9Xg8&list=PL6O6K_7sr3qFkcg6jYcIOqpwL81b29F28

It doesn’t really sound like Jazz to me (although these are clearly Jazz musicians) but it’s an enjoyable listen.

@curiousjim

Which Pat Metheny album are you referencing? There are so many to choose from

Have you heard this one?:

https://www.youtube.com/watch?v=M6epTSAq0s4&list=OLAK5uy_ms-PRDnEUGK1o3ncDcURd0MrMKQRGvJ6A&index=2

 

 

@curiousjim

Do you think there's a particularly Midwestern sensibility discernible in his music? I ask, having only lived on the coasts.

BTW, I was in the audience at J. Mitchell's Santa Barbara County Bowl that was released as "Shadows and Light". 

 

 

 

 

 

@curiousjim

Perhaps what I was thinking about was, for lack of a better word, "attitude". 

He's always struck me as being pretty down-to-earth and unassuming -- there's not a lot of ego or "edge" on display.  He doesn't need to brag -- his playing speaks for itself. Rightly or wrongly, I tend to associate such a demeanor with  Midwesterners, no offense intended.  

I have seen my share of shows over the years but there are plenty here who've seen far more, I imagine. I did have the good fortune to live in Santa Barbara from '76 to '82. Many acts would stop there between gigs in LA and the Bay Area.  

On the other hand, I was born just a few years too late to catch the likes of Cream, Hendrix, Joplin or Bloomfield in his prime. Woodstock is quite close to where I grew up and I read somewhere that around the time of the festival, Hendrix travelled to Middletown to see a doctor whose daughter was a classmate of mine.

 

https://youtu.be/0mvqYXUu9z8?si=ewMyBFTDUy2pO1CL

A nice pocket bio. 

Clearly a player possessing incredible self-discipline. 

 

 

I prefer my Soul and Jazz neat, rather than blended into a cocktail but agree that V. Herring is a terrific player. 

One of my favorites:

https://www.youtube.com/watch?v=Tn03wa67zKw&list=OLAK5uy_n2S-VDqt5glXBqlg6cVlLra0XN1zkYIo8&index=2

Are you familiar with Bobby Watson ?  ?  ? 

 

Sitting back in the big mission rocker with an iced coffee in my hand and the ceiling fan spinning overhead, listening to what is my idea of perfect summer music: "Sweet Rain" by Stan Getz, with Chick Corea on piano. . .

 

I just realized I haven't listened to any F. Hubbard for a long time. Will rectify that today!

 

Speaking of trumpet players, Wallace Roney doesn’t seem to get many mentions, here. He’s been criticized for "sounding too much like Miles" by some but this has never kept me from enjoying his playing. Two records I especially like are "Obsession" and "Intuition", both on Muse and both pairing him with Gary Thomas, another player whose name I’ve yet to see here. Roney was part of the Tony Willams quintet that also included Mulgrew Miller. That group recorded  3 or 4 studio albums in addition to the 2 disc in-concert "Tokyo Live".

@frogman 

I like Berg, but until you pointed them out, hadn't recognized the commonalities shared with Thomas, who I've always tended to regard as a more outside player. BTW, Thomas did a stint in  the J. McLaughlin band that recorded Live in Paris. 

Berg co-fronted a band with M. Stern at one point and appeared on other recordings in that genre (I don't know what to call it) over the years as well as a smattering of more mainstream sessions.

 

 

@frogman 

Miles himself seems to have been fond of that term, which he used as an expression of deep appreciation.

Re: Bob Berg, those interested in checking out his mainstream side might enjoy "Another Standard". No doubt you can recommend a recording that displays his electric side. 

@frogman 

I was familiar with that N. L. Doky album, but not the Joe Locke, which I enjoyed.  

 

 

 

@bottomzone 

If you like VSOP, give a listen to the band whose magic VSOP attempted to recreate -- the Miles Davis Quintet 1964 - 1968. 

@frogman

However, for me, Miles’ “Second Great Quintet” is the greatest Jazz ensemble that ever was. Incredible in every way.

For me, as well ! ! !

 

 

Interesting discussion. Although KOB is often referred to as the beginning of modal Jazz and held up as an example of improvisation that is less tied to chord changes; more "free floating", if you will, it still strikes me as more structured, less amorphous, than than the recordings by the Second Great Quintet -- especially those that feature their original compositions. As in visual art or poetry, there’s a spectrum that covers a graduated span between the explicit/representational to the implicit/abstract. Each of us will, given sufficient exposure, discover what feels most stimulating/natural along the spectrum. As I’ve aged, my tolerance for atonality, absence of evident structure and more abrasive timbres has noticeably diminished (no pun intended). ;o)