A method is not a "sum" of "tweaks means,
That you must do listening experiments to increase mechanical controls of the gear, decrease the noise floor level of the house not only of the room, and ESPECIALLY listen to the room acoustic treatments and if possible create acoustic mechanical control...
What i call a method include these 3 working embeddings dimensions for ANY audio system..
And the more important aspect of the method is not "tweaks" but acoustical principles over anything else ... YES mechanical and electrical principles are important but MOST of the POSSIBLE S. Q. at the end will come from acoustic mastery not from the well choosen synergy of the gear parts...
FOR EXAMNPLE i used 2 different type of ionizers and 12 tuned Schuman resonatrs but even if these "tweaks" are important they are anyway SECONDARY additions to the PRIMORDIAL acoustic passive material treatment and the Helmholtz acoustical mechanical control...
A method suppose listening experiments to fine tune the room...
Then to be an audiophile is not about upgrading nor about "tweaking" like some says, it is about the three dimensional embeddings working controls and their three integrated methods....
The only luxury in audio has never been the price tag of the gear AT ALL, but a dedicated room... Anything else is self delusion...Or consumers MASS conditioning...
Mass conditioning explain most of audiophiles thread chasing of the tail and even the world crisis... 😁😊
