Is tube sound vs solid state easier to distinguish using headphones?


Well designed tube amplifiers and solid state amplifiers in general sound remarkably similar with a wide range of music. The slight holographic and imaging properties that tubes can allegedly portray over certain solid state designs is what brings people to the “tube sound” camp. My question for the audiophiles here is whether it’s even detectable in most speaker setups or does a high quality pair of headphones showcase the tube sound qualities more accurately due to their near-field nature?

tubelvr11

Showing 3 responses by mulveling

I started in high-end headphones before I went to speakers. No, headphones are absolutely not giving you insights that can’t be gleaned from good speaker setup. If anything, it’s the opposite.

The driver technology and R&D investments put into headphones, even high end models, generally lags far behind that of high-end speakers. Headphones can be really good (particularly electrostats), but end of day I get more insights and enjoyment from my Tannoys.

Tube amp performance is highly dependent on the load they’re coupled to, but that’s a factor for both headphones and speakers. Speakers pose the bigger challenge, with lower impedances and the need for much higher power levels - necessitating large expensive PSU’s and huge output transformers (for non-OTL designs). So again - on speakers, tube amps will generally display bigger sonic differences versus each other and versus comparable SS amps. Of course there are exceptions, and some of the OTL tube headphone amps popular in the 2000s featured extremely high output impedances which had a MASSIVE effect (coloration) on the distortion profile and frequency response of most headphones. Though damn, did that ever sound good in some case ("flat" headphones often run the risk of being an incredibly boring listen).

The usual cited advantage for headphones as an evaluation tool is getting the room out of the equation - and that’s true to some extent. But the reality is that the headphone frame/chassis/cups, in combination with your head & ears, serves as a defacto "room" by which the sound is colored anyways. Also, I’ve never had any problem taking an audio component over to a friend’s speaker system (completely different room) and hearing the exact same sonic signature & net effect as I did in my own room. As long as you don’t pick an awful room (closet, greenhouse), pick a very wrongly sized speaker for a given setup, or totally botch the setup & positioning optimizations - I think the effect of room acoustics has been a bit overplayed online in the last (say) 15 years. Acoustic panel makers love to sell...panels. But for me, the components you choose and their "synergistic" combination has been easily the dominant factor in whether a system will be enjoyable or just chum for the audiogon classified waters.

The full bodied, rich, 3 dimensional sound w/ air & space around every instrument or singer in a good recording is very challenging for most solid state amps to achieve & im not sure if those qualities would be as apparent using headphones.

@jonwolfpell  Agreed - and the wonderful spatial qualities of a great 2ch system are definitely not there in even the very best headphone setups.

Back on the topic of acoustics - because the end product of "what we hear and enjoy" goes through so much processing and interpretation in our brains, I think it’s possible there are significant personal differences in "how much" someone hears the room versus the primary sound source, proportionally.

I reaaallllly don't want to get that much into acoustics discussions lol. I stand by my prior stated experience and opinion: gear choices are more important. And good speakers are more revealing of upstream changes than headphones.