Is There a Speaker for Me/Impossible Requirements? (budget: $2000)


Well, I just lost a very long and detailed post. Here’s my second shot:
After years in headphone purgatory I’m finally dipping a toe into ’real’ hifi. Turns out, its not as straightforward as I expected.
My equipment: 320-lossless files into a Moon i-5 in a 9 1/2 x 11 1/2’ room with 7’4" ceilings and a large rug. No issues or concerns regarding acoustics nor any interest in treating. Listen at 60-90 db for 3-8 hours a day- music is all over the map but a strong preference for neo-classical/ambient (Olafur Arnalds, Nils Frahm, Jonsi and Alex, etc), baroque/solo piano, fingerstyle guitar, and ’indie’ (whatever that means nowadays).

After reading a whole lot I purchased the following speakers based on my headphone preferences (HD650):
Wharfedale Denton 80th Anniv: VERY forward, VERY mid-centric, and not at all for me. They seem to have the veil people associate with the Senns, though I’ve never experienced it myself.
Spendor S3/5: These are much more interesting. Imaging is amazing- they do seem to disappear completely on certain tracks. However, the sound is rather unexciting. Perhaps this is closer to neutral but I find the speakers end up falling into the background and don’t really pull me in to the music. Tonally, the 3/5 seems very coherent though the lack of visceral bass is quite evident.
Spendor SP-1: The best of the bunch to my ears. The imaging is maybe a little behind the 3/5 but the sound seems much more balanced with more bass presence. On some songs they sound a bit U-shaped (maybe a little ’thin’ vs the ’non-present’ 3/5) and not quite as unified (lack of mids?) as the other Spendor.

My hope is to find a speaker I can keep for a long time that fits my listening space and music preferences. Given my experience where would you head from here:
A) Keep the SP-1s and spend more time placing them within my space/experimenting with stands and/or upstream gear?
B) Get a sub for the S3/5 and compare against the SP-1 again?
C) Try for another speaker altogether? If so, my max budget would be $2000 with a preference for value. I do have a pair of Meadowlark Kestrels on their way to me, but I haven’t heard them yet. Harbeth, Totem, ProAc, Vandersteen, Ohm, and Revel all sound interesting to me.
Grateful for any thoughts,
NM
joincoolkidclub
If you like neoclassical/ ambient, you should look into Vandersteen. I have 2ce sigs in an 11 x 16 room, but you might want to try the smaller, 2-way 1c, which I have not heard.

It's true, as others have suggested, that you should try to audition the first-order crossover sound, but I will tell you that the Vandersteen design principles are pretty much ideal for the kind of music you listen to. I only find my speakers a bit congested and less-than-ideal with rock. With just about anything else, especially classical, ambient, folk, indie rock: heaven.

1c models come up regularly for $400-600. With that you could get a good sub, either the 2wq or a REL t9i, and still come in under budget.

Also something to consider, many of the classic speakers people recommend used are from companies no longer in business, e.g, Meadowlark. Vandersteen is still in business, answers the phone, and rebuilt a driver of mine that they no longer stock for 150$, shipping included. This is a guy who sells $60k speakers. That's service!

-Paul
Buchardt 300 or s400 with 100 hours run in and good solid stands. Free audition.
The Silverline SR17 used is in your price range. I heard it next to the Harbeth P3ESR and it’s a lot more balanced of a speaker....actually it is just a lot better of a speaker period. 

Rega RS5 is also worth a look. Really nice tone and detail without fatigue. Great value used. 
If Meadowlark is in business it IS a new company  !They went out of business over a decade ago, I have a pr of Kestrel 2's
that were among the last made , still good as new and an excellent
speaker esp. on Acoustic Music .
If same guy is running it hooray , if not .............