Is SACD really this lousy?


Bought a Sony SCD 1 and this is boring me in my system. Have had it for 2 weeks and just cannot get interested. Previously I had a CAL CL2o and we were astounded by how the DVD DAD's sounded-fall into the soundstage, reach out and touch the performers. Also the dynamic range used every bit of the VTL's 275 watts into the Maggies. The 44/16 side of the CL20 was at best lukewarm. This after coming off a Meridian 508 20. Then I tried the Wadia 270/27ix. In my system, all the write ups were proven wrong. Then I went to the Linn Ikemi. It was great except I couldn't forget that sound of the DVD's with the CL20. Sooooo....off I went to get the Sony SCD 1. I don't have a dealer here but trusted it wouldn't dissappoint. WRONNNG! I called Steve Huntley at Great Northern Sound to see if he could do anything. He said it was a great player, it's just that Sony missed the boat when it came to the analog section. He is in fact drawing up a mod to deal with this very thing that he says will approach the Accuphase. That however will cost anywhere from $1500 roonies for the SACD side to $3500 for both. Anybody have any comment on this or am I the only one experiencing disappointment?
jmazur402f

Showing 1 response by iceravendbd3

Hi Carl, you have made your point about op-amp shortcomings very clear several times from your posts. I've heard the SCD-1 during the launch. I had a good impression of smoothness and extension both ends. But it was an all Sony setup with Straightwire cables. Digital conversion to anolog using large scale integration (LSI) devices, which includes house "tweaked" op-amps is unavoidable somewhere along the chain. IMO its technically impossible to even attempt to integrate the vast digital content read from the disk using just discrete devices like transistors/tubes alone. Audiogon posters would be naive to believe that Sony in this business, would not tweak in a housesound somewhere; in the case of SCD-1 in the output op-amps. Also op-amps are highly repeatable, cost effective in manufacture and not easily copied (if it's proven successful later on). Why are audiophile interests being compromised for something nothing related to hi-end audio??