Is preamp remote volume a deal breaker for you?


I've been looking for a quality active tube preamp with remote volume control. Most high quality tube preamps that are reasonably priced (ie, under $4000) do not come with remote volume. Those that do use the cheap motorized Alps pot (I've had bad experience with Alps), probably because it's cheap and widely available. I've seen some very expensive preamps us this pot, unfortunately. The two very high quality preamps I've read about are the SAS Labs 11A, Don Allens preamp, and Atma-sphere M3, but the designers refuses to implement remote because they believe the sound will suffer. Atma-sphere uses a huge hand assembled remote volume only for there expensive MP1. A preamp without remote is a deal breaker for me. How about you?
dracule1

Showing 2 responses by larryi

For me it is a deal breaker. When I found the linestage I liked, I got the designer to add a resistor ladder type volume control that is switched by relay (components can be bought and added by a designer who knows what he is doing).

A well implemented remotely controlled volume/balance setup can be just as good sonically as manual volume control. The designer/builder has to be committed to so doing.
I think having remote control is almost essential for sound quality reasons. The ideal volume setting changes from recording to recording, and even from track to track, and often lies in a surprisingly tight range. Finding that volume is next to impossible without remote volume control. The ideal channel balance is easier to find without a remote, but, even that task is easier with remote. I frequently make small channel balance adjustments, which are very easy to do with a remote.

I also don't like ANY control that don't allow for small incremental change. For setting balance, one really needs steps as small as .5 db or smaller. One cannot reliably hear .5 db as a change in absolute volume, but that small a change in one channel can easily be heard as a change in balance.