is it possible to make digital audio sound like vintage vinyl


sam here with another question. is it possible to make digital audio sound like vintage vinyl ? i realize i'm gonna get ripped a new a-hole however this is not a joke question. honest answers please i can take the heat

as crazy as it sounds it seams perfectly logical to me. now here is what i did using my 2013 dell pc windows 7 32bit.

using foobar 2000 with the convolver dsp filter i made an impulse file consisting of a 1 second wave file extracted at 32 / 88 

from the intro to pink floyds us and them on 1st press vintage vinyl u.k harvest label. just the surface noise before the music 

starts and applied the impulse file to a digital album to see if the digital album now sounds like vintage vinyl.here's the results

not sure if i made the digital audio sound worse or really what i achieved ? feedback will help me decide if i should

abandoned this pipe dream and move on. source is digital download flac 16/44 same source for both before/after samples.

audio sample 1: http://pc.cd/GB3

audio sample 2 (impulse applied) http://pc.cd/7eA

audio sample 3: http://pc.cd/7DP7

audio sample 4 (impulse applied) http://pc.cd/bw2

audio sample 5: http://pc.cd/3etrtalK

audio sample 6 (impulse applied) http://pc.cd/lTf7
guitarsam

Showing 4 responses by dgarretson

Results are on a sliding scale, depending on the quality of the vinyl front end, phono stage, digital recorder, server, streamer, and DAC. IME recording vinyl to DSD128 can be quite faithful to the vinyl source, and more important, surpass the experience of hi-res PCM downloads.
Mike’s experiments are conducted at the state of the art of both formats. At less than SOTA, YMMV.

BTW, Mike: what digital recorder did you use?
Personally I have no interest in flavoring digital files to simulate the "vinyl sound." It is more interesting that an ADC can accurately transfer the "sound" of an LP to a hires digital format. If successful, this demonstrates that the vinyl source is an affectation, but a pleasing one.

I record vinyl to DSD128 on a modified TASCAM DA-3000 synchronized to a Stanford Research 10Mhz rubidium clock powered by a Paul Hynes SR7. It’s a labor-intensive process that is worth getting right once and for all with the best equipment you can afford.
Actually, a good hi-res digital recording of an LP does capture much of vinyl's LF juice and tonality.