Is Bi - amping worth the trouble?


Hello all...

I'm on the fence with the thought of bi amping. A big part of me wants to go ahead with it... the 'wallet' part says "Not so fast".

There should be lots of folks who've biamped speakers before... When it was all said and done, "Was it worth the time and expense?"

I'm inclinded to add a tube amp for the upper end of my VR4 JR's ... or any other speakers for that matter... though in any case and reardless the speakers, tube amp on top, and SS on the bottom.

...and then there's the thought of keeping two dissimilarly powered amps matched at the same volume level... and the added IC's, PC, and stand... it does seem to add up.

... and at this point, I'm thinking BAT to keep things all the same... and am not sure there, wether even that matters too much...

I sure do appreciate the input.
blindjim

Showing 4 responses by gregm

"Headroom" usually relates to the extra energy the amp has available to deal with (loud) transients in music without clipping.
Back to biamping --
a) I wouldn't have much to add to Sean's post above.
b) A quick reference of what you may expect with "passive" biamping is given by warjarret above. The result doesn't justify the cost -- esp. when compared to normal biamping (i.e. amp directly driving the drive units). That's a different level altogether.
...Unless you have a notoriously underpowered amp -- which you don't.

If V Scheik really means what he says about these spkrs having been designed for bi-amping, then he can provide you with the cross-over schematic, and you can take it from there.
Quite honestly, i'm surprised that nobody has done anything like this
Sean, FM Acoustics does this -- but for tis own products.

As you note, the designer hasn't published anything on this.

BUT, if you buy a complete system from FM (i.e. electronics + cables), that whole transmission line is optimised.

You can even buy speakers (made by someone else ASAIK) similarly "optimised" for the FM amp + spkr wire used. HOWEVER, I understand that the recommended solution is active multiamping... of course, one can order the spkrs with a passive xover in which case the spkr cable supplied is different (obviously).

So, the transmission line is purportedly optimised starting at the source output cable. Since FM's preamps allow some variability in their input impedance, this line can be tweaked soemwhat further upstream.

One snag is, the wires must be specific in lengths (apparently a small variability is OK). Another is the cost -- $~+10-15k per component: this may not look ruinous for some, but for a vinyl addict doing the simple maths, it adds up: Pre + phono+power amp = $+~40k. The cost of cables is minimal apparently:)
Oh yes, I forgot: you also need spkrs...

Oh yes: I actually listened to such a system, vinyl source -- with different spkrs. Admittedly, impressive, very impressive.
Blindjim -- you've measured that ~3dB loss, in what? Or is it an overall, ball-park figure in resulting spl?
I'm curious, thanks.