Initial GMA Europa impressions and a few questions


I just recieved my Europas today and put them through their paces with a little jazz and female vocals. I bought a dealer's demo pair so they have around 100 hours on them so far. I remember reading that Roy recommends a good 300 hour break in period before they realy come into their own. How did your improve after 100 hours?

My initial impressions are that they sound incredibly natural. My other speakers always sounded bright and harsh on some music. The Europas have tamed probably 95% of this and the other 5% is likely due to other system issues. Do you think there will be a further smoothing out of the harshness as the speakers fully break in?

I am impressed with the bass. For a monitor, the Europas can provide a solid low end punch. I am looking forward to the rest of the break in period and seeing what the Europas can do.
128x128tcbannon

Showing 2 responses by mauiaudioman

Glad your enjoying the product. I have spoken with Roy many times and he claims the Europa is more sensitive to interconnects than speaker wire. I did some experimenting and he's right(isn't he always?) Cables make a huge difference on these speakers. Try a few different ones.
Drubin,
I find it a tad hard to answer your question. The Europa's play back whatever was recorded as it was recorded. Some recordings seem to be more in your face than others. Some lack bass definition, some don't. Some seem more layed back. I think the speaker does what it's supposed to: That is, it reproduces exactly what is on the recording. Great recording? Great sound. Less than perfect recording? You hear that. Let me add that no recordings I have sound bad on the Europa's........some just better than others. You know the old cliche "Accurate speakers sound terrible on rock music"? Not so with the GMA's. I honestly think it's more a time/phase issue than anything else. I sold retail audio for 10 years. Looking back on all the products I had labeled sounding "Bad", I now can attribute phase problems to all of them. From mass market Japanese amps with high negative feedback loops, to the vast majority of cassette decks with head alignment problems, to the original 44.1K cd players to 95% of multi-way speaker systems. One thing in common: Phase problems. I think phase problems are VERY audable...but also very much misunderunderstood. Keep in mind that Roy designed these speakers to have the LEAST amount of phase shift in the human voice range. Anyone here NOT love the Europa's human voice reproduction? Hope this helps.
Dale