Improving on Classic Amps



Not for any good reason other than I am an audiophile, I have been thinking about changing my amp and preamp and would appreciate any suggestions.

As you can see from my system link, I have an Audio Research SP 11 and a Levinson 23.5.

In an ideal world, I would actively biamp or triamp and might even keep both, but that would run up the bill pretty quickly.

As both the SP 11 and the 23.5 command a cult classic premium on the used market, I am wondering if I might get better sound out of my Tympanis for +/- the same price and/or not so much more invested in the system.

SP-7 and Bryston monoblocks? Entry level LAMM? Parasound JC-1s?

I would rather not have anything too tweaky or garage built, but would otherwise consider trading the cult status of my amp and preamp for better performance.

If possible....

Thank You
cwlondon

Showing 1 response by almarg

problem is that I have no idea where class C amps have gone

Class C amplifiers very much exist, but they are not used in audio because they inherently have very high distortion. They are commonly used in RF transmitters, with their outputs fed into tuned circuits (tuned to the frequency being transmitted) which can partially filter out the distortion.

The letter D used to designate this amplifier class is simply the next letter after C, and does not stand for digital

Quoting from a post I made in a recent thread on Class D amplifiers:

Whether or not a class D amp is referred to as digital or analog is not related to its class D power output stage. What would properly be called a digital class D amp is one that can accept a digital input, and which puts that digital signal through some dsp (digital signal processing) to generate the modulation waveform that ultimately controls the switching of the class D power output stage. An analog class D amp would differ in that it would utilize an analog input and have an analog front-end signal path.

Regards,
-- Al