Good topic. Based on my experience modifying a Sony SCD-1 (which doesn't use the most current DAC chip or paralleled DACs or upsampling techniques) I would assign equal weight to improvements made in the digital & analog domains. But I'm talking about a host of mods other than changing the DAC chipset itself. It's surprising how much sonic improvement can be teased out without changing the underlying DAC. Most current-production CDPs with the latest DACs are compromised in so many ways that it's pretty much useless to compare players based solely upon choice of DAC or upsampling technique. And yet some forum posters never get beyond this point.
Importancy of DAC's analog section
Hi folks, many times I see in advertisements how proud the manufacturers are of their DAC's specific D/A conversion architectures, using the most advanced technologies, algorithms and chips (like the Miracle DAC chips). I think one thing is often overlooked and that is a DAC's analog section. How important is in your opinion a DAC's analog section? Could one make a musical sounding DAC consisting of a not very refined/advanced D/A conversion system but a SOTA analog section? Or just the other way around?
Chris
Chris
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