Hi Raul,
I ended up buying a Glanz MH 1200S. I am using it with several Miyajima Infinity Cartridges. I am swapping headshells and 0.7 mil, 1.0 mil, and 3.0 mil for different types of mono records. Lately, I am also experimenting with using different null points to optimize for 7 inch / 10 inch records (a seperate cartridge / headshell for that). I think the Glanz was a step up from my FR-64s. In fact, I might even buy another Glanz for my Ortofon SPU collection. I have not bought the FM 123 yet, but it remains very high on my list of most wanted upgrades. I'm not sure if FM would work well in a tube system, such as my Shindo / Devore set up in my living room. I bought a Thomas Mayer Mono Variable EQ Phono stage and absolutely love it with the Shindo system. I think the FM will work with my Accuphase / Tannoy Legacy Eaton media room set up. I like the Eaton, but i'm thinking about upgrading, as I might move to a place with a larger room. So, FM on hold until I figure out my new media room set up. Some tonearms seem a bit tough to make work will with the TD-124 (e.g., Ortofon RS-309D / Glanz) owing to low height of the platter, but I was able to mount the FR-64s and get the correct height for my cartridge. I'd need to spend more time with it to post any worthwhile feedback. For what it's worth, my first impression is that I liked the FR-64s better on my Garrard 301 which allowed for use of the B60, but the FR-64 still sounded pretty good. Also, I am upgrading my Devore's to the O/20...waiting for it to be built...so that's where I invested my funds / efforts lately....
All the best,
Mark