If you don't have a wide sweet spot, are you really an audiophile?


Hi, it’s me, professional audio troll. I’ve been thinking about something as my new home listening room comes together:

The glory of having a wide sweet spot.

We focus far too much on the dentist chair type of listener experience. A sound which is truly superb only in one location. Then we try to optimize everything exactly in that virtual shoebox we keep our heads in. How many of us look for and optimize our listening experience to have a wide sweet spot instead?

I am reminded of listening to the Magico S1 Mk II speakers. While not flawless one thing they do exceptionally well is, in a good room, provide a very good, stable stereo image across almost any reasonable listening location. Revel’s also do this. There’s no sudden feeling of the image clicking when you are exactly equidistant from the two speakers. The image is good and very stable. Even directly in front of one speaker you can still get a sense of what is in the center and opposite sides. You don’t really notice a loss of focus when off axis like you can in so many setups.

Compare and contrast this with the opposite extreme, Sanders' ESL’s, which are OK off axis but when you are sitting in the right spot you suddenly feel like you are wearing headphones. The situation is very binary. You are either in the sweet spot or you are not.

From now on I’m declaring that I’m going all-in on wide-sweet spot listening. Being able to relax on one side of the couch or another, or meander around the house while enjoying great sounding music is a luxury we should all attempt to recreate.
erik_squires

Showing 2 responses by mahlman

I think those who cavalierly toss the "high end audio gear" salad around and garnish it with Audiophile dressing like to talk shop to each other but not really seek best solutions. Klipsch Cinema systems have been doing this for a LONG time and generally have at least 104db efficiency and are capable of providing stereo sound in a huge sweet spot. Of course these Klipsch systems don't come with Audiogon bragging rights. All they come with is superb and superior sound quality and high efficiency.
  So, how long did it take you to figure this out besides way to long?
 
Darned right ieales." There can never be a surplus in image specificity. If one can localize the source, it's a fatal flaw. Frequency response beyond a certain point is irrelevant. Imaging is about PHASE and TIME. Most systems are appalling on those parameters. "
  I bet hardly any Audiogon commenters set things up with DSP and bi or tri amping and have no clue.