ICE Amps for classical music?


I listen to classical orchestral music at heavy volume. I detest reproduced music for always sounding more or less electronic and not acoustic. Real music is beautiful in a way reproduced music--so far at least-- never is. I have become curious about Wyred4sound amps because of low price and high watts. I am wondering if any of you "mostly classical" listeners have heard these amps and feel they do no more damage to music than amps which are NOT ICE amps. I am using a Plinius SA100 now and have used a VAC 100/100,
a Bedini Classic 100/100, a Music Reference RM-9, and other tube and solid state amps. They all had their pluses and minuses, of course, but for least electronic, clearly the Bedini was the winner. So what about ICE amps?
rpfef

Showing 1 response by rpfef

Further info: I use a tube preamp (AI Modulus 3A) and Shahinian Hawk speakers.
I suppose this is heresy, but I have found tube amps (such as the VAC or Music Reference which I have used) can be just as grating on the nerves as SS amps. I have not found myself closer to the "real sound" with tubes. My Bedini was "mellow" while my VAC was a bit thin. Both had acceptible (to me) soundstaging and transparency. My Plinius, which I now am using, exhibits some warmth and great detail but sounds more "electronic" than the others I mentioned. Especially on violins and high brass at higher volumes, the amp introduces a touch of a sound which I think can best be described as like that of a whistle. It is neither musical nor natural. The feathery satin upper frequency finish of violins en masse is reproduced by the Plinius to a greater degree than any other amp I have tried; but that featheriness is right in the area where the amp sounds most like transistors and voltage rather than
wood and rosin. I am wondering if your experienceswith class D amps have revealed any greater likelihood that I will hear them as more plastic and steel than good class A or A/B ss or valve amps.