I went from Class D to Luxman A/AB - And most of what you think is wrong


Hi everyone,

As most of you know, I’m a fan of Class D. I have lived with ICEPower 250AS based amps for a couple of years. Before that I lived with a pair of Parasound A21s (for HT) and now I’m listening to a Luxman 507ux.


I have some thoughts after long term listening:
  • The tropes of Class D having particularly bad, noticeable Class D qualities are all wrong and have been for years.
  • No one has ever heard my Class D amps and gone: "Oh, wow, Class D, that’s why I hate it."
  • The Luxman is a better amp than my ICEPower modules, which are already pretty old.

I found the Class D a touch warm, powerful, noise free. Blindfolded I cannot tell them apart from the Parasound A21s which are completely linear, and run a touch warm due to high Class A operation, and VERY similar in power output.


The Luxman 507 beats them both, but no amp stands out as nasty sounding or lacking in the ability to be musical and involving.


What the Luxman 507 does better is in the midrange and ends of the spectrum. It is less dark, sweeter in the midrange, and sounds more powerful, almost "louder" in the sense of having more treble and bass. It IS a better amplifier than I had before. Imaging is about the same.


There was one significant operational difference, which others have confirmed. I don't know why this is true, but the Class D amps needed 2-4 days to warm up. The Luxman needs no time at all. I have no rational, engineering explanation for this. After leaving the ICEPower amps off for a weekend, they sounded pretty low fi. Took 2 days to come back. I can come home after work and turn the Luxman on and it sounds great from the first moment.


Please keep this in mind when evaluating.


Best,

E
erik_squires

Showing 1 response by twocrows

Let me first say I think Erik's post is great and I totally agree.

I have a Channel Island D200 fed by a Rogue Audio RP1 tube preamp into Harbeth Super HL5plus speakers. In moving to this system from a class A amplifier a couple of years ago I listened to a wide variety of electronics and speakers (to the point I’m sure vendors went "not you again" when I walked in. I was extremely impressed with the Benchmark, but it was out of price range. In one store I was able to compare what is now my system with a pricier but very good sounding all tube system and neither my wife nor I could here a major difference. I went with the class D in part because I decided I wanted to move away from hernia level components, although the price per pound of class D systems is much higher than class A solid state, let alone tubes.

One thing I find missing in this and almost every other discussion is the type of music being listened to. At audio shows I would bring some CD’s and a USB drive to try to listen to music I was familiar with. I listen primarily to classical music and two of the most revealing CDs were a recording of Mahler’s Fourth Symphony and Ravel’s Piano Concerto in G, pieces I am also familiar with from concerts. I found that systems that sounded good with the vendor’s selected music were frequently totally inadequate with mine. At a show, the best sound I heard with my music was the Benchmark with a speakers whose manufacturer I don’t recall.