I went from Class D to Luxman A/AB - And most of what you think is wrong


Hi everyone,

As most of you know, I’m a fan of Class D. I have lived with ICEPower 250AS based amps for a couple of years. Before that I lived with a pair of Parasound A21s (for HT) and now I’m listening to a Luxman 507ux.


I have some thoughts after long term listening:
  • The tropes of Class D having particularly bad, noticeable Class D qualities are all wrong and have been for years.
  • No one has ever heard my Class D amps and gone: "Oh, wow, Class D, that’s why I hate it."
  • The Luxman is a better amp than my ICEPower modules, which are already pretty old.

I found the Class D a touch warm, powerful, noise free. Blindfolded I cannot tell them apart from the Parasound A21s which are completely linear, and run a touch warm due to high Class A operation, and VERY similar in power output.


The Luxman 507 beats them both, but no amp stands out as nasty sounding or lacking in the ability to be musical and involving.


What the Luxman 507 does better is in the midrange and ends of the spectrum. It is less dark, sweeter in the midrange, and sounds more powerful, almost "louder" in the sense of having more treble and bass. It IS a better amplifier than I had before. Imaging is about the same.


There was one significant operational difference, which others have confirmed. I don't know why this is true, but the Class D amps needed 2-4 days to warm up. The Luxman needs no time at all. I have no rational, engineering explanation for this. After leaving the ICEPower amps off for a weekend, they sounded pretty low fi. Took 2 days to come back. I can come home after work and turn the Luxman on and it sounds great from the first moment.


Please keep this in mind when evaluating.


Best,

E
erik_squires

Showing 1 response by dpac996

I recently auditioned Bel Canto Ref600 M's for a good bit of time in my system and was super impressed. These are wonderful amps that compete with any amps under $10K regardless of topology;

My speakers are Dynaudio Contour 60's; Amps in my rig over the past few months: Pass XA30.5, Pass X150.8, Pass X250.8, Luxman 509X;
All have various strengths and such and one does not necessarily "blow away" the other; The Bel Cantos gave me the sense of a wide open window into the performance and seemed to be very complete. I remarked many times about how beautiful and real voices sounded. Excellent grip of the (4 ohm nominal / medium sensitivity) Dyn woofers as well; If they had any weaknesses I did not hear it. Incredible value.

Great post and very interesting about the on-time;
I did notice the amps sounded most excellent after about 30 minutes of on time. I did not hear any further changes after that.