I need a Tonearm opinion... Please


I guess I'm hoping some of you were audio fanatics from the late 70's to help with this question...

Years ago I sold a Syrinx PU-2 Tonearm to a friend on the East Coast.
In my opinion - at the time - it was one of the best tonearms available.

Right now I have a Rega 900 and I want to upgrade.

It's not easy to compare tonearms because so much affects things.
I have a Benz Moving Coil now and I will either get a new Benz or a Koetsu.

What is the general opinion of this group on the
Syrinx PU-2?
Compared to a Rega 900.....??
Compared to a PU-3...??? (He has one of those also)
Compared to something more modern like a Vector???

I don't think modern has much to do with it. Tonearm materials now are no different than what was available in the late 70's.

Both his Syrinx arms are in perfect condition and can be shipped in their original boxes.

Thanks,
Steve
rotary914

Showing 1 response by sdcampbell

I remember the Syrinx PU-2 as being pretty "tweaky" and difficult to set up. As a fellow owner of the Rega RB-900, I can't see any point in replacing it with the PU-2. The RB-900 features a 1-piece casting and very closely "spec'd" bearings, and Rega has said in various articles that the tonearm's price is about half what it would be if the same casting process were developed today. In short, the RB-900 continues to be a significant "bargain" among high-end tonearms. If I were going to replace my RB-900, my "short list" would include the VPI JMW-10.5 or JMW-12.5, and the Graham 2.2.

For other thoughts about the Syrinx PU-2, click on the following two links:
1. http://www.hi-fiworld.co.uk/hfw/oldeworldehtml/syrinxarm.html
2. http://stereophile.com/tonearms/821/index5.html (note the comments at the bottom of the article about Syrinx and the quality of the bearings compared to the Regas).